Administrata and Self-Forgiveness

April 26, 2010 in Cosmology, Cultural Appropriation, Growth and Growing Pains, Psychology, Rites of Passage, Shamanism, Shamans, The Land, Unverified Personal Gnosis, tbcontent | Leave a comment

First of all, I’ve realized that the FAQ and Bibliography for this blog are wayyyyyyy out of date. I know they’ve been linked to recently; please be aware that I need to overhaul them.

Also, I got a lot of comments on the racism post in particular; thank you so much to those of you who shared your thoughts. I’m mostly reading at this point, but I’ve really appreciated the insights people have provided. This is the sort of thing that makes putting this blog out there even more worth it.

So. On to the main meat of this post.

I recently read Coyote’s Council Fire by Loren Cruden. It’s a collection of interview questions with a variety of contemporary shamans and neoshamans, with each section opened by Cruden’s commentary on such issues as cultural appropriation and gender issues in shamanism and indigenous religions/cultures.

The first portion of the book is Cruden’s discussion on neoshamanism and issues of cultural appropriation. It’s by far one of the most balanced and thoughtful pieces of writing on the matter that I’ve read. While she acknowledges things like the romanticization of the Noble Savage, as well as the concept of privilege, she also makes a sympathetic argument for the need for non-indigenous people to develop shamanic practices that are appropriate for our own culture–not the cultures of our ancestors. A number of things she said resonated deeply; here’s a good example:

Caucasians [who practice non-indigenous shamanism] seem to be struggling in a betweenness. Those trying to transplant traditions from their European roots find their severance from the past frustrating. Those engendering new paths are mostly cobbling piecemeal structures out of eclecticism, and those seeking an integration of their cultural roots with their current life situations are contending with Native reaction and the difficulties inherent to such an evolution. It is an awkward phase needing both more sympathy and more useful questioning than it’s getting. (p. 23)

Yes. Nail. Head. You got it.

It’s no secret that I’m critical of the shortcomings I see in neoshamanisms in general, core and otherwise. Issues of racism and cultural appropriation, downplaying the potential dangers of journeying and other shamanic work, watering shamanism down into a milquetoast New Age pablum, core shamans claiming that core shamanism is “culturally neutral”–these things drive me up the wall, across the ceiling, and out the window. I don’t want people to stop practicing the way they practice, but I want to encourage mindfulness and discussion surrounding these and other issues.

However, I also admit that I can come down harder than I probably need to, not only on other practitioners, but also on myself. And a lot of that is insecurity. Nobody wants to be told they’re wrong. I know that no matter how carefully I tread, someone’s going to take offense to the idea that some white chick is practicing “shamanism”, and no amount of trying to explain what it is I’m trying to do will help. So I think sometimes I spend too much time worrying about whether some person on the internet will think what I’m doing is right, instead of being concerned with what I, anyone I do work for, and the spirits think is right.

I go back and forth on this. Sometimes I think it’s best to just leave other people to whatever’s going to happen, and if someone gets eaten by a grue while they’re out journeying, it’s not my problem. But then I also recognize that by not talking about something, I’m doing less to change it for the better (at least, my idea of “better”). So it’s not always easy to know what to say or do, when to say or do it, and at what point to quit.

But after reading that book, I do think I need to be more forgiving–most of all, of myself. This all stems from my own insecurity and projecting it outward. And that’s not good for anyone. So I think in addition to being honest about my potential shortcomings and flaws, I also need to be honest about my efforts and successes. And I need to be okay with where I’m coming from in all this, which is:

I’m a white American. I am not German, Czech, Austrian, Alsatian (woof!) or any of a number of other nationalities of my ancestors. I have never been in contact with any of these cultures or been to any of these lands, nor do I intend to change that. I have to start from the place where I am, the Pacific Northwest U.S. I intend to stay here. Which means that I need to work on creating and improving my relationships with the land and its denizens, physically and spiritually. This includes the human community as well as what people commonly think of as “nature”. Since I am not indigenous, I cannot assume that indigenous ways of relating to the land will work for me. So I’m on my own to a large degree.

I’m also convinced, by various experiences in my thirty-one years on this planet, that the world is alive in a way that most white Americans don’t see–I am an animist. And there are spirits who need me to do things for them, and also people in my community who need me to do things for them, and the manner in which these things are done often necessitates things like me going into the spirit realm (not physically, obviously) and certain ritualized practices designed to facilitate the necessary suspension of disbelief that will trigger appropriate psychological (and spiritual) states to get the job done.

But I am of a culture that does not have a set method of relating to the land other than as a commodity, and in which Christianity is the dominant method of engaging with spirituality, and other people are often competitors for resources. None of these suit me, and I will not shoehorn myself into something uncomfortable simply to be more culturally appropriate. So I find ways to recreate a “shamanic” role that fits this culture, but also answers my needs and the needs of those I work for.

Becoming a licensed counselor is one strategy, because it’s intermediary work and can integrate spirituality in some cases, but is acceptable in this culture for the most part. But that can’t be all of it. The need I have for mythos and ritual can’t only be limited to the carefully balanced parameters of ethics, competency and professional boundaries of counseling, even if I were to integrate a certain amount of core/neo-shamanism into it at some point down the line.

And that’s where a lot of the problem is. I work with animal and other nature spirits. I have been doing so for over a decade. But white American culture, however you want to define it, doesn’t have a set way of dealing with such animistic tendencies other than outmoded psychological diagnoses (“you’re all schizotypal!”) or a Christian (not THE Christian, mind you) opinion of “that’s evil”. There’s neopaganism, but that’s a huge umbrella, and there are plenty of controversies there, too. And, of course, there’s the plethora of animal totem dictionaries and related core/neo-shamanic material out there that shamelessly imitates indigenous practices without context or apology.

Those are my only choices? Unacceptable.

But I can’t just sit here and do nothing. Not when I know what needs to be done. Not when I have spirits (or, fine, figments of my psyche, if you want to see them that way) poking at me for attention as they have for over a decade. Not when I and others who are similarly rootless have a strong need for connection and ritual and mythos and meaning. Not when I am in a good place to facilitate these things for all of us, which can help heal the wounds and insanities of our culture which helped bring about a lot of the problems we (not just white Americans) are facing in the first place.

So I’m doing my best to find a particularly meaningful way to engage with the natural world (physically and spiritually), coming out of a culture that doesn’t possess existing ways to do so that satisfy me. It’s guaranteed that I’ll screw up sometimes, and that at some point I will always be doing something that will offend someone somewhere. So I do my best to educate myself about potential pitfalls, and act according to my conscience.

And that’s the best I can offer, which I think is pretty darn good, all told.

Wolf Skin Ritual

April 26, 2010 in Dances, Drumming, Rites of Passage, Rituals, Shamanism, Skin Spirits, Totems, tbcontent | 3 comments

Aha! I think I figured out how to keep you folks with RSS feeds from getting slammed with all the pictures! Let me know if it works.

Anyway, today I did the ritual I had planned to retire my old wolf skin and dedicate the new one. Only a few folks showed up, but it was a good group, and it was a really successful ritual overall. I’ve got a full writeup and some pictures to share here–enjoy!

I’ve been dancing with this old guy since 2002:

He was my very first wolf skin, purchased in the late 1990s, and he told me before I went to my first pagan gathering that he wanted to dance with me. So I split him open, rigged him up with some leather straps to tie him to me, and we went out and danced at the fire circle, with great success! Since then, we’ve danced together around numerous circles. Sadly, I didn’t know much about taking care of hides til much later, and between rainy, damp nights in tents, and heat from the fires, he decomposed over time even though his was a pretty good quality tan.

So I recently made the final payment on my new wolf skin, and wanting to have him dedicated before going to a Beltane festival next weekend, today was prime time for making the ritual happen. Here’s a picture of him right after he arrived in the mail:

At some point I want to post a tutorial on how I got him from that to his present state, but now’s not the time.

So I got things set up for the ritual. Here are a couple of pictures of the altar:

There are some items from the permanent Grey Wolf altar in my art/ritual room, along with my Black Bear rattle which I use to call and send home spirits, a fern frond and a turtle shell of water that I use to purify the ritual area prior to ritual, my ritual knife, and a platter with pouches for part of the ritual later on. You can also see the two hides curled up together, and a collection of spare musical instruments, as well as my own drum.

I started the ritual with purification by sprinkling water with the fern, since I dislike smoke and therefore smudging. (Sprinkling water on people is especially fun depending on their reactions. I’m definitely keeping this!) I then called the various spirits and places of the directions to join us, along with a couple of other beings I wanted to invite, Grey Wolf included.

Then I picked up my old wolf skin and carried him around the altar, talking about our history together, how he taught me to wolf dance, and some of the things we had been through. I talked about how it was going to be our last dance together, and that this was a very special event. Then I put him on for the last time, and while the other participants drummed and rattled, we danced around the altar. I could feel how tired and worn-out he is, but he made a good go of it, and we ended it with three good, long howls.

Then I took him off, and I was crying as I did so. I thanked him one more time for the good years dancing together. I laid him out on the floor, and stretched out the new skin as well. I took the leather straps from the old skin and transferred them to the new skin, whom I had previously prepared.

And then I danced the new skin. And I could most definitely feel the difference! This guy was ready and raring to go! We didn’t so much dance as run, leap, pounce, and gambol. (Yes, I said gambol.) It was tough at times to get him to stay focused on the dancing, which was fine–I’m just glad he was so happy to be moving around again. There’ll be time enough to work out etiquette between us. It was good, though, and I’m looking forward to the fire dancing next weekend.

We then took a break to chow down on the potluck goodies people had brought, and enjoy some social time. After that, I had people bring the small leather pouches I had given them, and I cut off small bits of fur from both wolves and put them in the pouches. Mind you, I never give away fur from my personal wolf skins, so this was a really unusual thing–those who got them received very special gifts. And then I closed down the ritual, said farewell to the assembled (both corporeal and otherwise) and went to ground.

I put the old wolf skin on the permanent altar; here’s a pic:

You can see the Brown Bear altar beneath it, and also some assorted ritual and art effects on the floor at the base. No surprise, I’m already running out of room on the Wolf altar.

And while I didn’t have pics taken during the ritual, here are a few pictures of me in the new wolf skin. (No, that’s not my ritual wear–it’s the outfit I wore during the pics I took for the potential tutorial I may do.)

It takes a very large wolf skin to be able to fit over my 5’4″ frame like that. It’ll take some time for us to adjust to each other; I need to fit the straps properly, and add a couple of others. Also, my arms do fit through the holes that his forelegs went through on the front leg skins, but it’s a tight fit. It’ll loosen over time, though. Still, he fits nicely like my old skin did, and we were very comfortable dancing together.

Also, small bit of timing–my period started in earnest while I was dancing the new skin. Given that the moon is waxing, and Artemis has recently come into my life again, and I am a Luperca in the Ekklesia Antinoou it’s an interesting series of convergences to note.

On Going to Your Ancestors

April 23, 2010 in Cultural Appropriation, Shamanism | 7 comments

I will be writing about this more soon, along with some other thoughts, but just wanted to get a quick vent out:

I am well tired of naysayers against nonindigenous shamanisms telling white people (or anyone nonindigenous, for that matter) that we should automatically look to our ancestors’ traditions for our shamanisms.

It doesn’t always work that way.

I am not European. Yes, my ancestors however many generations back (depending on the side of the family) were. But I am culturally American (with a bunch of subcultural nuances), and I live in the Pacific Northwest U.S. What good would it do me, when I am trying to connect to the land I live on and the people I am surrounded by, to try to connect with lands an ocean away, and people I’ve never met? Never mind the spirits poking at me, which are even more an influence.

I would rather continue to stumble along an unbeaten track, learning through falling on my face, and developing something that is genuinely mine, than appropriate practices from people whom I am only connected to through DNA strands. And as far as traditions go, it’s Catholics (and other Christians) a far way back anyway.

This is not to say that I disapprove of European and other pagan reconstructionist movements, or see them as less appropriate for the American here and now. Quite the contrary; I’ve been really damned impressed at modern pagan reconstructionism, syncreticism, and the like. For me, though, that’s not a good fit for what it is I need to be doing. So, no. “Go to your own ancestors” is not a one-size-fits-all solution to the neoshamanism conundrum.

(Also, on a totally different note, I am wayyyyyy behind on answering comments on this blog. Now that the semester is winding to a close, I hope to fix that. Thanks for your patience!)

Shamanism and Racism

March 9, 2010 in Cultural Appropriation, Healing, Psychology, Shamanism, Shamans, tbcontent | 22 comments

“Shamanism and racism”. Google that, and you’ll mainly get various pages referencing Shamanism, Racism and Hip-Hop Culture by James Perkinson (which, incidentally, is now on my wish list). There’s more when you do various searches for shamanism and cultural appropriation (without quotes). But it seems like most people don’t want to use the R-word.

And yet there is inherent racism in a lot of non-indigenous shamanic practices and trends. Not overt racism, but racism nonetheless. A few examples:

–White people traveling to far-off lands for the sole purpose of having shamanic “experiences” with “genuine tribal elders”. In many cases, these experiences are completely removed from the reality of their cultures of origin. This is especially pernicious in cases where participants are blind to the fact that members of that culture may be living in poverty, may be subjected to egregious human rights violations at the hands of governments and corporations, may experience daily racism (to include violence) from other residents who don’t go away when the seminar is over, and otherwise are not the mystical, quasi-Atlantean purveyors of super-secret wisdom.
–Core shamans claiming that core shamanism is culturally and racially neutral. There is no such thing as “culturally neutral”. Core shamanism was developed within a particular Western mindset, and its parameters and emphases reflect that. (I wrote more about this in this post a couple of years ago.)
–Shamans who turn a blind eye to the fact that most of the people who are able to afford their pricey weekend seminars and hundreds-of-dollars-per-hour consultations are white, middle class, and college-educated. What about everyone else, to include those who may not be able to afford health insurance but need healing, counseling, etc.? Alternative medical care may be one of the few options for the uninsured, but not if it’s consistently priced out of their range.
–Shamans who profit from the specific cultural teachings of indigenous people, but who give nothing back to those cultures, to include money made from shamanic consultations, workshops, etc. based on the teachings.*
–Shamans who ignore the fact that for the majority of the American population, the concept of going to a “shaman” is alien, offensive, crazy, or otherwise not viable. We do a great disservice to the people we could be serving when we stick within the narrow comfort zone of people who are enough like us to understand what we mean by shamanism. By assuming that, say, a Catholic Hispanic person who may see what we do as devil worship is just “unenlightened”, we refuse the possibility of meeting people where they’re coming from, which is a key component of fighting social injustices.
–Shamans who ignore the complaints of some indigenous people regarding cultural appropriation and plastic shamanism. Yes, it sucks being criticized, especially when it’s not constructive criticism, because we don’t like hearing what is being said. Yet ignoring the complaints because they don’t fit our preferences isn’t a viable solution. One of the most insidious manifestations of racism—and, indeed, social injustice–involves silencing minority voices.

It’s obvious that these examples reflect other social justice issues beyond racism, but let’s stay focused for the purposes of this essay. Nobody wants to talk about racism because nobody wants to be a racist. Here in the 21st century, racists are “bad people”, and to be considered a racist is to invite guilt and shame. (Well, in most cases. You do have those who openly embrace their racism as a positive character trait—but that’s another problem entirely. And there are those who have exchanged their inwardly-directed guilt for more constructive, outwardly-focused responses. But I digress.)

In fact, modern non-indigenous shamanic practitioners have gotten pretty good at dodging the issue of racism entirely. Many of the arguments reflect justifications for racism in society at large. Here are just a few I’ve run across commonly.

–“You’re taking this too seriously; it doesn’t really matter.” But it does matter. To the people bothered by it, it’s very valid. (I could probably turn the starfish story on its head with a different interpretation of “it matters to this one”.) And yes, I’m notorious for meta-meta-meta-analysis of everything. But so was Joseph Campbell, and he came up with some awesome (if sometimes biased) concepts about mythology. If it ends up that I’m overthinking things, so be it. At least I took the time to examine it. And I don’t analyze so much that I don’t also practice; I just practice with that analysis in mind. Unlike many (though not all) academics who are exploring issues of cultural appropriation and shamanism/neopaganism/etc. I am immersed in what I’m exploring. So it is relevant to what I actually do.

–“It’s just some of the Indians [or other indigenous people] complaining/I know Indians [or other indigenous people] who don’t mind sharing.” That may be. But your friends and colleagues do not speak for their entire culture, never mind all indigenous cultures. There are reasons these people are complaining, and those reasons need to be explored, even if it isn’t comfortable to do so. Ignoring them doesn’t help the discussion. Shutting them down because they say things we aren’t comfortable with is also not constructive. If anything, as those who are privileged, we have additional responsibility to listen.

–“White people get mistreated, too. Listen to all the complaining you’re doing about white people. Is that fair?” No, it’s not fair. But this isn’t about fair. It’s about actually paying attention to problems that your privilege lets you ignore on a daily basis. (If you’re unclear about what the concept of privilege is, please read Peggy McIntosh’s excellent essay, Unpacking the Invisible Knapsack.) A white person being called names for being white does not have the same historical and still-existing societal context of, say, a black person being called names for being black. And let’s not even get started on the gross inequalities that Native Americans have been and still are routinely subjected to. There’s a lot more to racism than someone not liking you.

–“Spirituality/shamanism/healing/etc. is for everyone. We should focus on erasing boundaries between cultures and races and other artificial divisions and just focus on being all human.” Well, yes, a world without racism and other social injustices would be ideal. But you don’t get there by ignoring issues of social injustice and pretending they don’t exist, or that you’re not involved. You get there by getting your hands dirty, taking responsibility for your part–intentional or not–in the problem, dealing with your own privileges, and listening to the people who are affected by the injustices. This is basically another iteration of racial colorblindness, which is a lot more counterproductive in deconstructing racism than some would assume.

I’ll say right now that I am most definitely not expecting everyone to agree with me. (In fact, I have my super-secret-shamanic-technology flame-retardant undies on, just as a precaution.) And I’m not perfect, especially when it comes to actions of cultural diversity. Most of this is still me chewing on thoughts, becoming aware of my shortcomings, as I’m immersed in a curriculum that focuses heavily on social justice in counseling. I’m well aware of the fact that my own cultural experiences have been pretty homogenous. I’ve been working to change that with my volunteering and graduate school efforts, which focus heavily on working with the formerly homeless, impoverished, recovering addicts, and other people whose experiences I couldn’t even begin to fathom personally. But that’s a small start, and it doesn’t automatically make me an expert on minority groups.

But I want people to be talking about this, even if some of the commentary ends up changing my perspectives somewhat. Even being “wrong” is better than being silent, and we all stand to learn from this discussion. Not talking about race just promotes racism.

*An excellent example of someone who does give back to the culture he learned from is James Endredy, with his Earth Spirit Foundations charitable programs.

An Ecopsychological Alternative to “Maiden, Mother and Crone”

February 28, 2010 in Cosmology, Ecopsychology | 10 comments

I’ve always had issues with the “Maiden, Mother and Crone” triad (which shall be referred to as MMC from here on out) in neopaganism. It stems from Robert Graves filtered through Wicca, but seems to have bled over into generic neopagan lore. While originally it was intended to describe certain supposed trinities of goddesses, it has since been applied erroneously to human women as well. Neither deities nor humans seem to do so well when shoved into archetypal pigeonholes–while I may see totems as archetypal in nature, it’s as representations of all qualities and associations of their given species, not as “Brown Bear is the healer, Grey Wolf is the Teacher”, etc.

It’s the humans in specific I’d like to talk about here. As someone who is deliberately childfree, I already have reason to dislike the MMC’s focus on the uterus and its functions as defining characteristics of what it means to be female. I used to subscribe to that whole concept that “fertility” could be symbolic as well, dealing in creative endeavors like artwork as one’s “children”. But that still limits women to “creative”, “fertile” and “nurturing” roles–as I mentioned to someone on my Twitter account, what about “Little Hellion”, “Hostile Corporate Takeover Organizer” and “Crazy Cat Lady With Attack Bengals” as archetypes? These are pretty limiting, too.

And then there are the awkward attempts to shoehorn men into similar categorizations, like “Youth, Warrior, Sage”, which at least have a little less dependence on the functionality of one’s reproductive organs, but are still unnecessarily limiting.

And this led me into irritation and annoyance with the whole gender binary thing and the Western adherence to strict dualities which seems to be especially pronounced in the States.

And then I got pissy about people mistaking the map for the territory.

And then I decided to finally write this damned essay, which has been bouncing around in my head half-formed for gods know how long.

See, I was changed a few years ago when I read Bill Plotkin’s Nature and the Human Soul. It’s not as well-known or appreciated as its predecessor Soulcraft, but it was a really formative book for me. That’s where I first learned about the concept of ecopsychology, which isn’t so much a specific school of psychological thought as it is an approach to both theroetical and applied psychology that automatically factors in the human relationship to nature along with relationships to the self, other humans, etc. It ties in beautifully with animistic beliefs and practices and gives additional structure to these concepts. In fact, a number of ecopsychologists employ core shamanic techniques in their clinical practices. And this was the book that led me to research local graduate school programs to find whoever had ecopsych classes available, which in turn completely changed my life on a lot of levels.

Anyway, what makes this book pertinent here is that Plotkin has designed what’s essentially an ecopsychological developmental theory. The book focuses on what he has labeled “The Wheel of Life”. It’s modeled on Erikson’s eight stages of human development. However, where Erikson’s stages are largely tied to one’s neurological development and, to a lesser degree, chronological age, and also are weighted more heavily toward children and adolescents as developing human beings, Plotkin’s eight stages are not so strictly scheduled, and in fact a person may not necessarily go through all eight even in a natural lifespan. While the stages do correspond to Childhood, Adolescence, Adulthood and Elderhood (as Plotkin terms them), these are more based on psychological maturity than physical age. A person may be well into physical adulthood, but still be somewhere in one of the two Adolescent stages in Plotkin’s model.

Additionally, the tasks that Plotkin proposes for each of the eight stages are much different from the tasks Erikson described in his model. Where the latter is based primarily in self-development focusing on life as part of human society, Plotkin creates a connection between the internal and external environments, as well as the human and nonhuman components thereof. There’s also a strong element of the Hero’s Journey, albeit without Campbell’s gendered interpretation thereof, in the development of the human being in the Wheel of Life. In fact, it’s entirely gender-neutral, which I thoroughly appreciate.

It’s a wonderfully pagan developmental model, though it’s not at all religious. I tend to recommend ecopsychology as a resource for nature-based pagans because it synthesizes psychology with mythology, spirituality (without specific religious trappings) and, of course, ecology. Again, it doesn’t espouse a specific school of thought; one culture’s mythology is not seen as superior to another’s. Rather, the function of mythology (and the other elements of ecopsychology) is what is explored and applied–similar to how I work with the function of shamanism in my culture rather than any prescribed, specific type of shamanism.

I would like to propose the Wheel of Life as an alternative human developmental model in neopaganism, replacing the constricted, outdated, and ultimately historically inaccurate MMC triad. This goes for any and all derivatives, which are necessarily based on a flawed system. I haven’t used it nearly as much as I would like, but it’s something that I have integrated into my personal, private view of myself for a while now. Nature and the Human Soul is still in print, and I can’t recommend it enough, whether as an alternative to the MMC, or simply as an effective structure for greater understanding of the self.

The Quandary of the Other

February 20, 2010 in Cosmology, Ecopsychology, Environmentalism, Psychology, Totems, tbcontent | 12 comments

As I was poking around in my garden today, pulling weeds, turning soil and traumatizing earthworms in preparation for early spring planting, I was thinking about some of the “why” of what it is I’m doing here with this whole shamanic experiment. Because it really is an experiment. I’m testing a whole bunch of concepts, most of which have been tried in varying combinations by other people, but not, to my knowledge, in quite the way I am.

What I was thinking about was an extension of my thoughts in my last column in Rending the Veil, In Defense of the BINABM. Many neopagans and others criticize the fact that Americans (and other Westerners) have a tendency to gravitate toward the Big, Impressive North American Birds and Mammals (BINABM) like Grey Wolf and Brown Bear and Bald Eagle. And even I’ve done the same; hell, a lot of why I wrote DIY Totemism was to help people break out of the idea that those were the only totems with any power.

But I keep finding myself working with these BINABM in my shamanic work, and a large reason is because those are the animals most commonly in our cultural consciousness as being “properly totemic”. Rationally, some of us can realize that other animals have a lot of intense and amazing qualities we can learn from. And we can also realize that we downplay the importance of animals we have domesticated, partly out of guilt, and also out of familiarity. So we don’t really romanticize Domestic Dog, Cow or Pigeon in the same way.

Instead, we look to the totems of animals that many of us will never meet outside of a zoo or sanctuary, and maybe even not then. I mean, I’m a great example. I was only about two or three when my relationship (obsession?) with Grey Wolf began–way before I was cognitively capable of any sort of reasoning or belief. There had to be at least something cultural in there, from all the books (and, to a lesser extent in my case, television) and other media I had been exposed to even at that young an age. There’s something there, and it’s valuable in the practice of meeting people where they are.

See, all those BINABM? They’re one representation of the Other. Generally speaking, in American culture*, the only one I can really speak of with any authority, there’s a pretty severe tendency toward strict duality. We create dichotomies that are sometimes violently opposed to each other, and it’s tough to get people to consider the model of a continuum instead. This leads to a lot of really pointless arguing about everything from men vs. women to science vs. religion to my academic theory vs. your academic theory, in which people throw away the chance for a deeper, more integral understanding of reality in favor of planting a flag somewhere. Anything less than 100% dedication to your cause is seen as weak, untrustworthy.

I do believe there is a place for the concept of the Other, but it isn’t this either/or model. It’s the both/and. Just because I do not see myself as violently opposed to people of other races, cultures, sexes, genders, etc. does not mean I see myself as being the same as them, or being able to speak for them. Far from it. But neither do I see allowing their influence into my understanding of the world as a threat. And it’s the same way with “nature”. I consider myself ultimately to be a natural being; I eat, sleep, breathe, fuck, shit, and do a whole host of other things that require me to be connected to everything else. The fact that there is a city in the middle of my bioregion does not make the bioregion cease to exist. I do have to consider the things that make me different from other denizens of nature, like my frontal lobes, and the adaptations that frontal lobes have helped humans to create. Nature is still an Other, but not one which is entirely untouchable.

These are things I work with in my shamanism, deliberately, for myself and for those I offer my services to. These are the dualities I want to turn into continuums. Spirituality is seen as opposed to materialism. The body is seen as opposed to the mind/spirit/etc. And, drawing on both spirituality and ecopsychology, humanity is seen as opposed to nature. This insistence on either/or perspectives, as opposed to both/and, creates a very harshly delineated “Other”, one which must remain separate at all times lest we taint ourselves. And that includes the “Other” human beings.

At its most extreme, the “Other” manifests in things like deliberate and institutionalized racism, sexism, and other forms of oppression. But sometimes it’s not that intentional. A really good example is in the tendency in both American nonindigenous shamanisms and neopaganisms, and in ecopsychology, toward tunnel visioning on dominant, largely white, culture as a basis. It’s not that white shamans and pagans and ecopsychologists are deliberately trying to exclude people of color. But let’s face it–all of these movements are largely perpetuated by white people, and that’s something we need to be aware of, not in the sense of “well, that’s just who’s interested”, but also what we may be doing that makes these movements seem less welcoming to people of color. It may just be that there’s not enough dialogue about issues of race and culture in shamanism and ecopsychology.

Or maybe we’re uncomfortable bringing up these controversial issues amid our pretty rituals and romantic wilderness idylls. I think Carl Anthony, in his interview with Theodore Roszak in Ecopsychology, really summed up this problem succinctly:

“Why is it so easy for these people to think like mountains and not be able to think like people of color?” (Anthony, in Roszak 1992, p. 273)

He’s referring to the well-known essay by Aldo Leopold, one of the granddaddys of environmentalism and its various derivatives in America. The phrase “Thinking Like a Mountain” has become bandied about pretty commonly among environmentalists and ecopsychologists as a way of reminding us to embrace the Other. Yet we feel it’s safer to deal with an Other that’s more distant–and, perhaps, one that can’t talk back to us so easily. After all, many Native Americans feel patronized and otherwise pissed off when white people claim to have had past lives as Indians, and let’s not get into the horror that is the “guided meditation” to “get in touch with your Native self” (yes, I’ve seen this and variations of it). Clearly we can get away with things like Joanna Macy’s and John Seed’s Council of All Beings in which we speak for beings we assume can’t speak for themselves–like mountains and nonhuman animals. Imagine, though, if we did a Council of All Races, in which a bunch of white people made masks to be like various people of color.

And that’s where we really need to be careful when we’re working with the concept of the Other, and more importantly, our relationship to it. Yes, it’s safer for me to work with abstract totems of various nonhuman animals who can’t complain if I misrepresent them, at least not in the same way other human beings can. But I’m also very aware of the limitations that my ritual work has in working with people outside of my cultural familiarity. As a shamanic practitioner, I know that the whole concept of “culturally neutral” is bullshit. Core shamanism, for example, isn’t culturally neutral. It’s white, middle-class, college-educated shamanism, even if all its practitioners don’t fit all of those parameters. And I know that’s what my shamanism is, too, because I’m the creator, and that’s the cultural background I have.

Here’s the thing. I grew up in a small town in the midwest that was almost entirely white. Then I moved to cities, but still gravitated toward subcultures that again were largely white. So my experience is almost entirely working with other white people, within a culture largely created by white people. Same thing goes for middle class and college-educated. These aren’t bad things, but my experiences are pretty damned limited, considering how diverse the population here is. So I have a lot of Others, as it were.

That’s why I’m training to become a licensed practicing counselor. Especially if I end up in an agency setting, I’m going to be working with clients from a much broader variety of cultural and other backgrounds than what I’ve previously been exposed to. My program is heavily engaged in issues of social justice, which has just helped to make me even more aware of my experiential limitations. It’s not that I’m flogging myself over being a guilty white person. It’s that I realize that my own limitations in dealing with people also limit my potential for helping other people. Becoming a trained counselor won’t automatically give me awesome multicultural skills, but my curriculum has included a lot of information and discussion about how to work with clients with significantly different backgrounds in a way that respects them as well as ourselves. This hasn’t always been a comfortable thing for me, because I have become aware of just how limited my experiences have been and how much I don’t know, but rather than drown myself in white-girl guilt, I’ve instead cultivated a curiosity of “If this becomes an issue, how can I broach discussion with my client of the best way to resolve it?”

And that is also part of my work with the Other. The Other isn’t just the exotic, the nebulous–it’s the immediate and very real. Some people may need to start with more abstract, removed Others, like animals and mountains. That’s okay–it’s where I got my start. But it’s why my shamanism isn’t just the formal rituals and the romanticization of other beings–it’s also a profession that brings me into contact with a whole host of people who can’t just be understood through a simple guided meditation or masked ritual.

* Or, more correctly, predominantly white “mainstream” culture.

PantheaCon and the Bear Performance Ritual

February 16, 2010 in Growth and Growing Pains, Healing, Journeying, Psychology, Rituals, Sacrifice, Shamanism, Totems | 14 comments

So at this year’s PantheaCon in San Jose, CA, I officially did my first big public group ritual. Ever. Really.

See, I’ve been feeling things converging toward taking my practice more public as I’ve become more confident in what I’m doing, and when I’ve checked with both the spirits and human peers, I’ve generally been supported in this. So when the time came to submit workshops and other activities for this year’s PantheaCon, back in the fall, I decided to take the chance of doing a shamanic ritual there. I figured if it got accepted, then it would be a chance for me to really put what I’m doing to the test.

The more I actually practice my shamanism, the more I really find I dislike the one-on-one model of practice, where you just have the shaman and client in isolation, and it’s fairly streamlined, with a little drumming, but not much in the way of pageantry. And I’m really fond of the concept of sacred play and ritual theater as facilitating suspension of disbelief and magical states of consciousness. This is important to my practice because I work with the self as a series of systems–physical, psychological, spiritual, etc. I find it easiest to approach magical work from the psychological angle, but with the understanding that I’m affecting the whole shebang. And play is a great way to engage the psyche.

I also am of the opinion that shaman circles aren’t the way for me to go. I dislike being in a group where it’s basically (please forgive the saying) too many chiefs, not enough indians. Not only does the process have to be watered down to accommodate everyone, but personally, I don’t want, as the presider over the ritual, to be responsible for the safety of a bunch of people in the Otherworld. I do not agree with the common (though not universal) core shamanism assertion that journeying is safer than dreaming (and I don’t even think dreaming is always safe). Just because the place where, for example, Brown Bear lives is close to my starting point and is a relatively safe place for me, doesn’t mean that that place will extend the same courtesy to other people.

Therefore, my conception of a “group ritual” in my shamanic practice isn’t “we’re all gonna journey together and be this raucous drumming party romping through the Otherworld in search of soul fragments and cheap beer”. Instead, I’m fond of the model in which there is a presiding shaman who is the relative expert, and the rest of the community, whether it’s a long-standing one, or part of a Temporary Autonomous Zone, helps to create the space within which the shaman works. That’s where I’ve been trying to go with this concept of shamanic performance ritual.

Other than the Grey Wolf and Brown Bear rituals I’ve done in my home, I haven’t really been able to put this to the test in an actual group setting. I’ve practiced various elements in private in preparation, but nothing is the same as actually doing the work. So the PantheaCon ritual was a way for me to try out, with a larger group and in a different setting, these things that I’d been mostly developing in theory. And it was the first time I’d done work with an in-person client, which I’ll write about more in a bit. (My client had been very aware of this from the beginning and was more than happy to be my guinea pig.)

Because of the experimental nature of this ritual, I made it very, very clear both in the preparation workshop prior to the ritual, and right before the ritual itself, that if anyone did not feel comfortable participating in something that was still basically a work in progress, they were more than welcome to leave before I got started. Also, I specifically chose a ritual with Brown Bear because s/he is the totem I have had the most experience with in spiritual and magical practice; s/he has always been the first to step up when I wanted to try a new practice, and s/he has been my greatest guide in my shamanic work, even more than Grey Wolf. And we negotiated the parameters prior to the ritual itself, so that the ritual was mainly (though not entirely) a formality to enact what we had agreed. So there were a lot of factors in place to minimize potential disasters.

I also made it very, very clear that I did not want anyone following me into the Otherworld while I journeyed. Trancing during the drumming was fine, just so long as the people remained here, and I had (human) helpers keeping an eye on the participants to make sure everyone was okay while I was occupied with my work. I explained in great detail when everyone else would get to drum/chant/etc. along with me as part of helping to maintain that collective space, but I wanted to make the boundaries clear. To be honest, I was a bit worried since neopagans in general are used to a high degree of participation, and the shamanic circle is pretty common in and of itself, so I was worried that people might be bored, or not get what I was trying for. However, the orientation workshop served pretty well to make my points clear to folks what was happening, and why, and I couldn’t have asked for a better group of folks.

So what, exactly, happened? Along with the above points, I spent the orientation workshop giving background on my practice over the past decade and change, how I was weaving various disparate threads of practice into a cohesive neoshamanism, and why. I answered questions and addressed concerns, and we all had a really good rapport together.

And then there was the ritual itself. There weren’t as many people as I thought would be there, fewer than twenty, but it was also eleven at night and we were scheduled opposite a drum circle (stiff competition when you’re dealing with a crowd used to being heavy participants). Still, it was a great group, and I was able to get right down to business.

My setup was pretty simple. I had brought my brown bear skin, from a very old rug, and laid her out on the floor with my various tools and offerings to Brown Bear on her. My drum was there, too, and my client had laid out his coat to lay on during the ritual. I also had a bottle of water and a bag of jerky, just in case my weird-ass metabolic issues decided to act up, or if I needed to bring edibles into the Otherworld with me (better to have it and not need it than need it and not have it!)

I started off with a warmup. I believe very much in the power of humor to break people out of their defenses, and so I started off with a few jokes, some banter, and a dirty political limerick, all of which went over quite nicely. It got people to pay attention to me and relax and laugh–and focus.

After this, I greeted the land spirits. I don’t do a circle casting, but I do like to greet the more prominent genii locii, and the four directions make convenient delineations. So I greeted local spirits like the Guadalupe river (who I went to visit shortly before the ritual) and both sets of mountain ranges, as well as evoking my connection to Oregon and the Columbia River, among others. I shook my Black Bear rattle and had everyone else drum, clap, etc. along with me. I ended each evocation with a yell, “HA!”, and by the time I was done everyone was yelling with me–which was great fun. I’m definitely keeping that.

Then it was time for the journey itself. I think this was the toughest part of the performance part of the ritual, because I had anticipated there being more drums than there were and therefore didn’t bother preparing myself to narrate during my journey, which takes more concentration. So people mostly were there watching me sit and drum, and make noise along with me, to help act as a heartbeat to help me find my way back. I need to either figure out how to deal with narration when there may be a lot of noise, or some other way to keep the other people occupied with something besides boring old me sitting and beating on a drum while my spirit’s off elsewhere. The risk of dramatic narration is that if I get too focused on telling people “back home” what’s going on, I find myself slipping back to my body before I’m done with my work. On the bright side, I found that having the heartbeat that people were creating helped me orient back to my body, which was a concern since this was the first big journey I had done from a relatively unfamiliar location.

Brown Bear was sleeping, of course, but s/he woke up long enough to tell me what I needed to do with the offerings to hir and the gift to my client. S/he said s/he wouldn’t come hirself, but that s/he’d send a part of hirself with me to help with the ritual. So I did what s/he told me to, and came back to do the work in this world.

Once I returned, I explained briefly what was going to happen. Then I draped the bear skin over me, and tapped out a basic beat for people to follow. I danced until I felt the spirit of the bear skin, and that tendril of Brown Bear’s energy connect in me, and I became a bear myself. I went to my client and sought out ill areas, and he told me later that the first place I homed in on was a place that had been hurting. I went to these places on his body, and I yanked out, for lack of a better word, buildups of “bad energy”. It wasn’t a full-cure–these are chronic conditions–but it was a way to clear out the crap that had built up on an energetic/spiritual level at the sites of these conditions and bring temporary relief. I then breathed in Bear/bear energy/power/whatever you want to call it into the voids left by these things I removed, snuffling and whuffing like a bear, and tearing out the bad with teeth and claws while putting in the good with breath.

I then gave the client a small gift, and told him what to do with it. Were he local to me, I would see about arranging this to be a regular thing, not as a cure-all, but simply as maintenance. Such as it was, he actually reported immediate, measurable physical improvements in his symptoms–whether you want to call this the placebo effect isn’t as important as the fact that the ritual did what it was supposed to do.

I danced Bear/bear back out, and then did another acknowledgement of the land spirits (again with that fun yell at the end!) I had checked on the other participants at a couple of breaks in the ritual itself, just to be sure everyone was alright, and then again at the end once everything was cleared out and I knew my client was okay.

Unfortunately, I didn’t do such a great job of making sure I was okay. I spent most of the rest of the weekend pretty fragged and fatigued, partly due to not grounding properly, but also because I’ve found that shamanic work takes more out of me, physically and otherwise, than any other spiritual and magical work I’ve ever done–and that includes the crazy-ass chaos magic experimentation I did a number of years ago. I now have a much better idea of why people talk about the sacrifices associated with shamanic practice, and why my instincts were screaming at me to dig my heels in when the spirits were still unsuccessfully trying to convince me to do this stuff in the first place. Granted, I already had insomnia and metabolic issues, but they and the shamanic work like to play into each other post-ritual, and I’m still learning to find a good balance of self-care with this sort of work.

My client, and other people, really seemed to appreciate the ritual itself for a variety of reasons. And I learned quite a bit from it about how to proceed in the future, what worked, and what needs more adjustment. Most importantly, though, it reaffirmed for me that yes, this is what I need to be doing. More on that later. For now, I’m going to continue recovering, and assessing the results of my work.

Sustainable Urban Pagan Life

February 13, 2010 in Ecopsychology, Environmentalism | 4 comments

One of the things that neopaganism and ecopsychology have in common is the tendency to idealize rural living and emphasize the unhealthy aspects of cities. At the most extreme, cities are cancerous pustules on the flesh of the living Earth, full of filth and pollution and psychic assault at every turn. Conversely, the wilderness is presented as pristine, a paradise and the pinnacle of healthy living environments.

With paganism in specific this often manifests as the desire on the part of numerous pagan folk to buy up some land and create a wild sanctuary where other pagan folk can come visit and be in the healing wilderness. I’m not the first one to point out that if everyone bought up some wilderness, there’d soon be no wilderness left. See, even the presence of a few humans affects the wildlife in an area. With some species, that effect, so small as it is, still has a significant impact.

I used to be one of those pagans. In fact, as long as I can remember, I’ve wanted to buy up land and have it preserved forever and ever. But I also wanted to live there. Now that I’m older and (one would hope) wiser than my ten-year-old self, I’m aware that such a plan has many complications, the impact on the wildlife being only one.

I’ve also been living in cities–Pittsburgh, Seattle, and Portland–for the past not-quite-decade. And I like it quite a bit. The small town I grew up in was seriously lacking in the cultural and subcultural input that I take for granted these days. I love 24-hour Wifi/coffee shops; I love goth/industrial dance nights; I love the abundance of pagan, occultish, and otherwise alternative folk. I love that, especially in Portland, I’m in a place where it seems everybody has tattoos, even high up in corporations and in the health care field and, well, just about everywhere else. I couldn’t get these things in the place I grew up in. I did get a lot of closed-minded douchebaggery, and daily psychological abuse on the part of my peers, and a dearth of exposure to anything outside of country, oldies, and soft rock music. While not every small town is this way, and not every city is as progressive as Portland; I’ve had better luck being myself in urban areas. So for that and many, many other reasons, I’m quite happy being a city girl.

Back to the sustainability angle, though. There are just way too many people to be able to let everyone enjoy rural living while allowing the wilderness to have enough room to be itself without any human intervention. Not only would it require too much of what wilderness remains, but there would have to be a drastic, fundamental shift in the way that Americans (and most other industrialized humans) approach land use.

The problem isn’t cities in and of themselves. It’s how they’re built and managed. For example, most people have absolutely no conception of how a city changes the nature of the bioregion it’s in, from the climate to the soil and waterways. This isn’t just within the actual perimeters of the city, but a large area surrounding it–everything’s connected.

Reading books like Green Metropolis has given me a better appreciation for the city as a vehicle of sustainable living. After all, if one can live sustainably on under an acre of land, and when people can be concentrated into a smaller area, leaving more untouched places for the wilderness to recover, why not? Less time spent traveling, easier access to resources, greater human cultural diversity in a given area–what’s not to love?

Yes, there are numerous studies in ecopsych/environmental psych and other disciplines showing the negative health effects of cities. This, again, goes back to how cities are designed and run. Psychological stress from urban life often comes from the wear and tear of commuting, unpleasant physical environments lacking greenspace and other amenities, economic depression, and a lack of physical safety. These things are not limited to cities, though; it’s just that because the people are more concentrated, so are the problems.

The solution is not to dissolve cities and push the more sensitive wildlife even further into the corners of the wilderness as we create happy rural communes. The solution is to make cities better places to live. Of course, this is much easier said than done. Apart from the sheer logistics (and arguments thereof) of greening a city, there are considerations of class such as gentrification; cultural factors, to include immigration and spirituality; what to do with the open spaces that remain, as well as how to continue feeding larger groups of people with omnivorous options, and how much of the open space should go to that; and so forth. And, of course, not everyone is going to want to live in a city no matter how nice. Lots to think about.

I still want to interact with the wilderness, but as a visitor, not a resident. Like the spirit world, I want to try to leave the wilderness to its native inhabitants, and only go in as necessary.

Grey Wolf Ritual

January 31, 2010 in Dances, Drumming, Journeying, Offerings, Rituals, Totems | Leave a comment

Today was the ritual for Grey Wolf. I hadn’t even consciously planned the ritual for today; I just chose a date that seemed convenient. Just so happens that tonight is a blue moon, and the Wolf Moon, or so I was informed. Which is funny, because I inadvertently scheduled the Brown Bear ritual on a full moon, too.

So Tay helped me clear out the living room again. I set up the altar on the coffee table; once again, apologies to those on the LJ feed as I can’t put in cuts from here:




I collected what little wolfish knickknacks I still have and put them on the altar; I’ve gotten rid of most of them over the years as I’ve downsized my collection of shiny objects. There was also the wolf skull that hangs with my collection, and a deerskin painting I did a number of years ago. The beadwork strips are the first two I ever did, way back in high school in the mid-90′s. That actually gives Wolf a connection to my artwork, since that all started with the beadwork (which I no longer do). The long green and brown thing with the bone spike on the end is a hair wrap I wore for a year, and there are a couple of other random things on there. And the wooden plate has the little gift pouches I gave to the participants.

You can also see the Arctic wolf headdress and tail I wear when journeying, and the full wolf skin I’ve danced with for most of a decade. There’s my big drum, and a couple of spares, as well as the elk bells I made last year. Between the drums is the wolf fur coat that’s part of my costume, to be worn (of course) if I get cold. The blanket that covers the altar is just temporary, until in the spring when I retire my old wolf skin to altar guardian duty.

So once everyone got settled in, I did a brief explanation of what I was doing there today. I explained a bit of the context of why I’m creating therioshamanism the way that I am, with the cultural context and why I’m trying to revive performance rituals as an art form as well as spiritual practice. Then I picked up my drum and began to warm it up, explaining to people why I was doing that.

The journey itself was actually one of the fastest I’ve ever done. When I went to go formally invite Grey Wolf to join us, s/he said “Geez, you didn’t even need to come here; all you had to do was ask and I’d show up”. Which isn’t surprising given how omnipresent s/hes been in my life. But I wanted to be formal about things, and so s/he humored me. (“Should I have snarled and snapped at you when you showed up, just for show? Grrrrr! Look at me! I’m fierce!” s/he said.)

So then Wolf sent me back and said s/he’d follow, even though she knows the way quite well. When I got back and cooled the drum down, I then told the other folks there that now, instead of just drumming along to my single-note journeying beat, we got to do fun drumming! They began drumming, and I put my wolfskin on and began to dance (after taking the journeying headdress and tail off!) It was a bit of a sad event for me, since it would be the last full dance I’ll be doing with that skin. We slid into each other’s energy has we always have, and while the dance was indoors in a relatively small space, it was a good one. While I could wish for a place to do outdoor dancing around a fire on a regular basis, for now, the living room works.

Once I was done dancing, and while we still drummed, we talked some about what Grey Wolf was to us, our relationship to that totem. I also spoke a bit about my wolfskin and what we had done over the years. Then we took a break to enjoy the various edibles people had brought and ground a bit. Finally, I closed down the ritual, thanking Wolf and the other spirits who had been there for their presence.

After everyone left, I set up the permanent altar in my ritual/art room:

There were offerings a couple of people had brought that I added in. The wolf skull went back to its usual place on the wall near the altar, and the various skins went to their homes as well.

One of the things I noticed is that I enjoy throwing in little bits of explanation for why I do things as I do them, just to give people an idea of the reasons for things. I think I may make this more of a regular feature of the public rituals.

Also, while I’m still new to this whole group ritual thing, I want to try building up more formality around the rituals–for example, I would have loved to have had a themed potluck, preparing some kind of meat (maybe venison) for the occasion and letting people bring other things for Grey Wolf (with allowances for non-meat-eaters, etc.)

And it’s tougher to build up a good atmosphere for this sort of ritual indoors than it is outdoors, or in a space that is specifically designed for ritual work. But we work with what we have, and I’m sure I can tweak things to create a better setting as time goes on. While I’m very good at individual ritual, group ritual is still new to me, and so it’s going to take practice.

But overall, it went really well, and people seemed to get a lot out of it. Grey Wolf was pleased as well, and is happy to have a formal “home” within my home now.

The Importance of Ritual Tools

January 29, 2010 in Altered States of Consciousness, Cosmology, Magic, Psychology, Rituals, Skin Spirits, tbcontent | 15 comments

First of all, I just want to make a brief announcement–for those of you who will be attending PantheaCon next month, I will be doing a Brown Bear healing ritual as part of the official programming on Saturday night of the con at 11pm; there’ll be an optional-but-recommended informational meeting at 9pm to give folks context.

Now for my main topic, brought on by a conversation with a friend over on Livejournal. S/he was talking about ritual tools, and mentioned the attitude (which s/he does not hold to hirself) that a lot of pagans have that advanced practitioners “don’t need” ritual tools, that one “should” be able to practice one’s magic and spirituality empty-handed, and with the subtle undercurrent that this is the superior way of doing things.

To which I say: fuck that noise.

Okay, okay, so I can accept that that attitude sprang out of reactions to the countless n00bs who tend to be more interested in the pretty shiny objects than in what to do with them. (This happens with all sorts of things, not just spiritual practice. Magpie Syndrome reigns supreme.) But it’s not necessarily true that you grow out of that liking for tools and toys. It’s just that your understanding of them should ideally deepen and develop further.

Personally, I like my collection of tools. I have my main drum, and a smaller one thats mostly become a loaner at this point. I have several skins that I dance, and I’m slowly building altars to individual totems. Plus there’s my general shamanic costumery. Add in that I enjoy making ritual tools, and its pretty clear what side of the divide I’m on.

Part of it’s my animistic tendencies. When I “work with” ritual tools, it’s not as with inanimate objects, but with other spirits embodied in other forms. That’s why I ask my drum and beater, for example, for permission to pick them up, never mind starting to pound them against one another. It’s respect, and acknowledgement of their being spirits.

Creating ritual tools, for me, is a process of working with the spirits within the materials I’m working with. As I explain in detail in Skin Spirits, my newest book that just came out, I work with the spirits in animal remains, hides and bones and other things. This has been a consistent part of my practice for over a decade, and a lot of it I do to give them a better afterlife than being a coat or a taxidermy trophy. That’s why they all get a ritual done for them to help them find the best people who will appreciate them for who and what they are. And with my own tools, I’m not just picking up inanimate objects–I’m handling these spirits’ physical forms/dwellings. They’re right there; I don’t need to go looking all over the Otherworld for them.

Just as important is the concept of suspension of disbelief, of sacred ritual play. As you may have noticed, I’m a huge fan of this concept. Rituals are a time and place apart from the everyday, though ideally they should not be completely removed from it–your journey’s no good if you can’t effectively bring back what you found to the world you spend most of your time engaging with. Suspending your disbelief allows you to temporarily set aside the mental barriers that keep you from Imagination-with-a-big-I, or the spirit world, or however you want to explain That Other Place. We don’t live there permanently for good reason, but it can be very beneficial to visit at times. And, as Joseph Campbell liked to point out, ritual performance is a form of play, something that is vital to a healthy human psyche. Not all rituals are fun, but the play, the engaging of Other Than Ordinary Reality for a time, as well as Czikszenmihalyi’s flow state, serves its own purpose above and beyond the extrinsic reasons.

To my mind, empty-handed rituals take the play out of ritual. As a culture, Americans in particular have a tendency to hyper-intellectualize just about everything. So it’s not surprising that so many American pagans would espouse a form of ritual that primarily engages the mind, leaving much less for the body and other levels of being to work with. Sure, you can do an entire ritual sitting in asana, crafting the ritual temple solely in your head while your body remains perfectly motionless save for carefully timed breathing. But you’re missing out on a lot of potential benefits of engaging more of yourself, starting with your body. The mind is not isolated from the rest of being; psychosomatic illnesses and distress from being ill are good examples. So my thought is that trying to isolate the mind away from the rest has a good chance of not being particularly healthy in a lot of instances.

Ritual tools keep us firmly grounded in the physical reality, even as we soar to other places. Additionally, when we’re back in ordinary reality, they’re a constant reminder of what we’re capable of. They’re a bridge between the worlds, and they help facilitate the transition back and forth. Like the horse spirit in the drum, they are the transportation we use, and they help keep us balanced. They are inherently marked as special, and they continuously attract and reinforce our attention in a way that mental castles never can.

The trick isn’t to transcend the use of tools. The trick is to find the tools that are most effective for flipping the internal switches in your mind–and other parts of your self, body included–that make your rituals work. Yes, it’s possible that the best tools for you may be entirely mental. But for a lot of us, we benefit from and thoroughly enjoy the use of the physical tools themselves. After all, if playing an air guitar were the epitome of play, then Rock Band and Guitar Hero wouldn’t have a market.

(Yes, I totally just compared ritual practice to video games. Blame my geekhood.)

If you do prefer open-handed ritual, don’t consider that to be automatically superior to those of us monkeys who like our tool use to be a little more blatant. The shiny surfaces are connected to much deeper things, and, unlike many of those n00bs who are just figuring things out, we know not to mistake the map for the territory.

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