I was a little late in doing my skin spirit work this month, but today I managed to spend some time with my rabbit skin, a rather small brown pelt from a domesticated rabbit. Right before I went to choose a skin to dance, I kept thinking about El-Ahrairah from Watership Down, who is somewhat of a pop culture version of the totemic Rabbit, as well as a useful depiction thereof. So I chose the rabbit skin to dance today.
He was a little unsure before we went into things; he’s the first skin from a domesticated animal I’ve danced, and he told me that as he’d spent his life in a hutch, he really wasn’t sure how much like a wild rabbit he was. I told him, “Well, I’ve not worked with Rabbit much myself, so maybe he’ll give us a little help and we can figure this one out together”. Indeed, El-Ahrairah gave us the boost we needed!
I draped the skin over my shoulders like a cape, tied with two leather cords around my neck. Then I got down on my hands and knees and attempted to lollop like a rabbit–and got about two inches ahead of where I’d been before. I’m used to large, striding animals, or at least those that walk in a four-beat pace. The two-beat lollop of the rabbit is another story entirely. It probably took me a good ten minutes at least to figure out how to get more than a few inches forward at a time. I ended up with a rather ungainly, probably ridiculous-looking quasi-lollop on my hands and balls of my feet. In fact I know it was silly to watch–even the rabbit skin was laughing, though having a good time.
I then got up to try to mimic the lollop in a more bipedal fashion. I really didn’t want to have to rely on the infamous “bunny hop” with two feet together (with or without the “right, right, left, left, jump forward, jump backward, jump forward three times, repeat” pattern!) That would annoy me entirely too much for me to hit a good trance, and it didn’t remind me of the movement I’d done before. I finally ended up with a two-step dance, where I would dip my torso and arms forward when stepping with my lead foot, and come back up when stepping forward with my hind foot. I also kept the characteristic “lub-dup, lub-dup” rhythm from the lollop, which bound the two moves together really well.
Learning to move in an entirely new way was pretty exhausting–not to mention hard on my back. But both I and the rabbit skin had a great time figuring it out together. I didn’t even try approximating a run; I figure I should learn to thoroughly lollop first.
The Animal Father nudged me while we were dancing. He told me that once my six months were up that he wanted me to dance a different skin every night for a week each week until I’d danced them all and gotten to know them. I’m sure the skins will appreciate this; I don’t dance as much as I’d like since my job takes a lot out of me, and they always seem so sad when I get done dancing and they realize that no one else will be dancing that day/night. I am looking forward to it, though.