Rites of Passage

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The Death of the Place That Raised Me

I am in a small town in Missouri, the place that I grew up in. It’s been a trip of many revived memories, as my mom dug a whole bunch of my childhood belongings out of a storage space in my old room, and I’ve been going through the bittersweet process of sorting through everything, deciding what mementos to keep, and which to let go of as resources to send back into the cycle. So I’m already in a mindset deeply tied into my life as it was over twenty years ago.

Which meant that when I drove to the little patch of woods by my old house that I explored so much when I was still in my single digits, finding that it had been entirely leveled and replaced with a brand new building was an arrow to my heart.

I am still in shock, and so disbelieving. I feel I’ve lost a long-time friend, perhaps one that I lost touch with as I moved away, but never forgot entirely and visited when I could. And I never got to say a proper goodbye. I had no idea that the last time I visited would be the very last.

I know, I know. I get that the fact that this place stayed “undeveloped” as long as it did, in a podunk little town pretending it’s a big city, was pretty impressive. It’s actually the second place that I’ve seen destroyed. The woods behind the house we lived in next, and that I am visiting now, was almost entirely removed for a housing development. The spirit there still lives; much-diminished, and much more jaded, it still lives in the remnants of the woods that flank the artificially widened creek that sluggishly meanders through as best as it can.

And that destruction happened over fifteen years ago, when I’d only had a couple of years to connect with the spirit there. That experience, coming home on the school bus one day to find all the trees save for a few down and shattered–that was a horrible introduction to adulthood, and it really was where my childhood came to an end. Today, even those old wounds pulsed achingly.

I am still angry. I haven’t “gotten used to it” or “grown out of it”. And I feel isolated as I sit in a place where most people wouldn’t understand why I’m so deeply hurt by this loss. I’ve already been told “Oh, but the pharmacy people are so nice!” and given the attitude of “development happens, get over it”. Invalidation after invalidation. And it hurts, it just hurts so much.

That place? It taught me the joy of the outdoors, the fascination with other species, and my place as a human animal. It was my refuge when I began to experience bullying at the age of eight. It was my first minor rebellion, as technically I wasn’t supposed to be over on that side of the hill. But mostly it was a place where I could allow myself to explore, both the physical landscape, and my imagination. I wasn’t just a little girl in a pink coat wandering through the brambles and trying to avoid poison ivy. I was a wilderness seeker, living in a little cabin in the woods. I was a wolf, hunting rabbits in the tall grass. I was a snake basking on a big rock. I was so many things, each time I sneaked through the narrow pathway in the poplars and into the trails around the cedars.

I spent so much time in that place, that little maybe-half-acre of scrub woods, and now–now I can never walk there again. All I can do is hope that the few pictures I took on my last visit, two years ago, are still on my old laptop, that I can have a little more visual aid to help strengthen my memories in the wake of seeing this horrible shift.

Underneath the foundations of that building are the remnants of root systems from scraggly cedar and poplar trees that I hid among when I was young. There, too, are the nesting sites of Monarch butterflies, quite possibly relatives of the one that I watched in its chrysalis every day for two weeks until it emerged one spring day. And there lie the bones of the garter snakes and box turtles that were descendants of the ones I would catch, observe briefly, and release. There are stones that I stood on, lifted up to explore the life hiding underneath–snakes, crickets, centipedes, and more.

I won’t go back this trip. I won’t go back to try and find any last remnants of my place. I can’t bear it. I know I shouldn’t hold it against the new spirit of this place that is just being born. All places have spirits, including built-on ones. And I’m sure the pharmacy building now there will develop its own spirit over time.

But it’s not my place. The spirit of the place I knew is dead. Gone. Living only in my memories, and maybe in the remnant memories of a few other people who saw it as more than just an open lot.

All I have left is one single pine cone. I was going to go back at this trip and collect a few more mementos. I’m glad I have the one that’s left. It’s on my place altar. I hope it can stay safe there. It’s my last physical connection to the place that had so much meaning for me.

When I get home, when I can get back to that pine cone on my altar, I’ll spend some time looking for the pictures on my computer, and put together a mourning ritual to help me grieve. I’ll wait until I get back to a place where I know my anger and my sadness will be respected for what they are, instead of having them minimized and invalidated. I’ll go to where I can be safely held in my hurt, and remember the place that held me when I hurt so many years ago.

Until then, it’s not “just a place”. I’m not just “making a big deal out of nothing”. I have to remember that. I can’t let my grief be derailed by others’ expectations of how I should feel or what should be important to me. I spent too much time living up to the expectations of others, and I’ll be damned if I deny my hurt any longer for a place that formed me in ways no human being ever did.

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Souvenir

So in case you missed it, last week I got home from a road trip involving heading down to San Jose for PantheaCon, then heading back up the Pacific coast by way of highways 1 and 101. My partner and I ended up doing some inexpensive (read: free) touristy things. We also spent a good deal of time poking around antique shops and flea markets for inexpensive art supplies and other goodies. I didn’t have a huge budget, but I did find a few really nice things, particularly in the realm of beads.

So last night I made some time to just sit and make jewelry, since I’ve been itching to play with the new beads I got since we got home. The first necklace I made was one that I had been planning in my head as I was collecting beads and findings from here and there, and as it came together its spirit wrapped around me, cuddled up close, and refused to let go. Each bead I put on the wire told a bit more of the story of our trip, and when I was done, I had the perfect souvenir of our adventures together.

See, we started down in San Jose itself, once the convention was over. And when we escaped the urban areas and got into the wilderness, we were greeted by the beauty of redwoods, one of several new experiences for me. The same day I left PantheaCon as it closed was the first day I got to see redwood groves in Muir Woods. Later in the week we drove down the Avenue of the Gods, further north along the coastline once we had reached 1/101. And it was there that we stopped at a little independently-owned gift shop. Most of what they had were either out of my price range ($80 bowls made from redwood burls, totally worth the price for their craft) or not particularly useful to me (yet ANOTHER sweatshirt?) But I found a string of polished beads made from redwood scrap, and three little clusters of redwood needles coated in 24K gold, sitting forlornly on the clearance rack.

So those carried the energy of new experiences–the redwoods, the California coastline, my first coastal storm, and the seemingly endless road trip.

Later that day, we traveled along to Ferndale, a small town a little outside of Eureka. My partner wanted to check out all the restored Victorian homes and business buildings, and was not disappointed. There were gingerbread manses galore, and the downtown district was full to overbrimming with historic locations and 19th century construction that had survived storms and fires and neglect. We visited an artist who had made the town his home for many decades, who opened a studio not to sell his art, but to share it for free, and to teach people his crafts. We took pictures of lovingly cared-for houses and churches. And we explored a little general store of nouveau-vintage items, knickknacks, and an extensive display of period antiques for all to see. At this place I found several strands of glass beads, as well as some dyed freshwater pearls.

A few of these pearls, dyed green-gold, flank the redwood beads. The pearls represent the best of human contributions–creativity, conservation, and art–which were evident not only in Ferndale, but in various communities throughout our trip.

Across the Oregon border, not too far from home, we ended up in Waldport, one of a string of little coastal towns. While my partner chatted up the owner of a local knife and sword shop, I wandered over to a flea market across the street. I poked through various antiques and tchotchkes, and came across a veritable treasure trove of little wood beads of the sort that I use frequently in my jewelry. The seller wanted naught but a song for them, and I knew they’d get used, so they went home with me as well. And as I stepped back out onto the street with my little purchase, looked at the little rows of shops that characterize so many Oregon coast towns along 101, and breathed the salt-tinged air, I knew I was back home.

And these little brown beads–those ground the necklace. They’re not the most flashy ones, but they connect the islands of shiny redwood and pearl together.

And in the same way, home is what makes the moments of exploration and adventure stand out even more. It’s not that home is a bad thing; quite the contrary. My partner and I have created a cozy living situation together, and Portland is a good place to be right now. Home is a safe place to return to when the adventures are through for the time being. And the adventures are all the better when I know I have that anchor if I need it, if I start feeling overwhelmed by all the new things, or tired from driving. The shine and sparkle of new places helps me appreciate home more, and without my good home I couldn’t enjoy travel nearly so often on the occasions it happens.

The necklace I’ve created, then, isn’t just some shiny thing–indeed, I very rarely wear jewelry other than my usual wolf chain. So for me to keep something like this that I would normally release into the wild, as it were, is an occasion to be noted. Right now, as I am easing back into the routines and challenges of everyday life, I am wearing this necklace to remind me of those beautiful adventures and the healing they gave me. I carry with me the redwoods, and the gingerbread, and the crashing waves on bluffs. And I smile, and continue on with my day here at home.

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The Goddess Anput

While I’ve been creating ritual costumery and other tools out of hides, bones and the like for over a decade, more recently I’ve been getting into more elaborate projects. One of my most recent endeavors was a ritual costume in which I had a surprise spiritual experience–well, unexpected, but not entirely surprising. Here’s what I wrote about the experience at the time, just about a month ago:

Tonight, a Goddess found me.

For many years, I have acknowledged Anubis–Anpu–Yinepu–as the God of dead things, related to my art with the remains of animals. And he has watched over my work in the background, quietly, only occasionally coming forth to speak if he feels the need to add a bit of guidance. But still…so distant.

Then the day came when the hide of a black coyote came into my possession. Even having lived and died a half a world away and thousands of years past the jackals of Egypt that gave their form to the God, this coyote carried that energy, inexplicably and completely.

Almost.

Except this coyote was female, and held onto that beyond death almost defiantly. And through that skin spirit, Anput made Herself known to me. Where Anpu had been distant, though not uncaring, Anput settled Herself down in front of me, and in the same way Artemis had done so long ago when I was younger, She looked at me and said “Doesn’t something look familiar?”

Familiar? How could I even know what to look for, when I knew not Whom I beheld? I knew scant little of her, as did anyone today–the feminine aspect–some said wife–of the better-known Anpu, had had little surviving lore and few adherents today. “Goddess of the 17th nome of Egypt, with the standard of the jackal” told me little.

And so I returned to Her, perplexed. And before I could say a word, She saw my confusion, and She spoke. “I am the Goddess of funerary arts. When the stones were carved into the faces of pharaohs long-dead, My hand guided the chisel. When each set of canopic jars was formed, I shaped each detail and applied every stroke of the brush. And now, when you weave hide and bone into sacred art, My hands wrap around yours, and I see the work through your eyes”.

The black coyote then wrapped around my shoulders, wishing that I would prepare her to move on to the next person in her afterlife, for, as for so many, I am only a threshold, a transitional point. And so we enmeshed ourselves, for three days and nights, in the sacred preparation and creation of what would carry a piece of each of us.

And at the end of the three days and three nights, I wore a cloak upon my shoulders, with the sacred mantle and hood as the Goddess directed me and as the black coyote concurred and as I created. Khepri stretched his wings wide, and the name and standard of Anpu—Input—cascaded in hieroglyphs.

This, then, was our inauguration, the Goddess and I. The black coyote would go forth as Her emissary while I would remain here and continue the sacred work as I always had, only with the consciousness of She who guided me.

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This headdress is dedicated to Anput, the female counterpart to Anubis. It is in no way meant to be an authentic replication of any traditional Egyptian creations, but is instead a hybrid of my own style mixed with elements inspired by a very general Egyptian aesthetic, guided by sacred inspiration (and many pictures of old statues and paintings from various dynasties!).

This headdress is based around a black (melanistic) coyote hide; this is a rare, but naturally occurring mutation in this species. This particular hide came from a small female, black with a white blaze on her chest. She is complete with all four paws and claws; the only piece missing is her lower jaw, which was removed for the purpose of this project. Her ears and face have been reshaped to a more natural appearance; they were originally rather flat and misshapen, as many hides are after tanning. Her face has been given painted details, to include hold around the eyes, and gold accents on her nose. I inserted gold and black leather in her ears to mimic the striping often found in the ears of depictions of Anubis.

The leather is one whole tanned lambskin hide, dyed black, and then with an overlay of gold on one side. It forms the side panels of the hood, again striped, as homage to the Nemes headdress that Anubis and other deities were commonly depicted wearing; there are very few images of Anput Herself that remain, and as I was working on this inspired piece this is what She indicated She wanted.

The mantle over the shoulders was the most difficult portion of this. I drew out the scarab and wings with a black fine tipped paint pen, and then colored it in with acrylic and oil paint pens in two shades of blue, green, and red, and detailed in gold. I tested all these on a scrap of the same leather to be sure of the colorfastness. The hieroglyphs descending from the mantle read “Input”, an alternate of Anput’s name, and below that is the standard of 17th nome (district) of Egypt, over which She reigned.

The beaded accents on these leather pieces are a combination of new (reproduction) faience scarabs, and genuine old Egyptian faience beads (exact dynasty unknown). Each one of these dangles is about 1 1/8” long.

The headdress ties on with straps under the chin, and the forelegs also are tied together with more leather strappage. It is one size fits most; for scale, I am 5’4” and 115 pounds.

This project did take me the better part of three days and nights with only small breaks. It is by far one of the most ambitious pieces I have done, and represents a shift to more elaborate and involved crafted artwork.

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In the weeks since I created this headdress, Anput has been a quiet but strong presence in my workspace, and she has actually brought Anpu Himself forward more as well, not that I should be surprised. The feeling I get is that they are aspects of each other, rather than spouses, though perhaps the distinction isn’t so strict. Sometimes I work with them both, sometimes Her alone.

And as I work with the Divine in my art, I am beginning to feel the inklings of others who wish to have creations in their honor. I have long done this work with totems; every piece I create has been a tribute to the species’ totem as well as the individual animal spirit, whether a full dance costume, or a simple leather pouch. But there are other beings stepping forward now, adding yet another layer to what I am creating.

And I’m very much looking forward to seeing where this will take us all.

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Just as a side note, the Anput headdress is not meant to stay with me, nor are the rest of the creations I will be making. The Anput headdress may be found here on Etsy. If you are interested in giving this work a home, or in commissioning your own art, please feel free to contact me.

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Bear Work and What Grad School Taught Me About Being a Shaman

So we’re down to the line here as far as grad school goes. In a week and a half I will be done with my internship, and with luck by the middle of September I will be able to put M.A. after my name!

It’s been incredibly stressful–not all bad stress, but still, stress has an effect. I haven’t had as much time to do a lot of my usual self-care techniques, but I have taken up meditation again. Brown Bear, who has always been my help with healing both myself and others, has been guiding me in meditation with small affirmations. These affirmations are to help me remember certain checks and balances against the negative effects of stress and other pressures. I have a small antique ceramic bowl in my ritual area that I’ve filled with small slips of paper with the affirmations written on them. I try to meditate at least once a day, though if I feel the need for more, the meditation is a brief break to help me ground and re-center myself.

Bear is coming back into my life more strongly, too. Not that s/he ever left, but school had a way of draining me to where I didn’t always have the energy to maintain my totemic and other spiritual connections as much as I’d like. Bear is patient with me, though, and that patience has been invaluable during this time. It’s not just that I appreciate being the receipient; it’s also good modeling to remind me to be patient myself, with myself and with others. I feel pretty confident that our work is going to continue and deepen as I enter this new phase of my life.

This sort of small, simple practice, while it certainly doesn’t replace more intense journeying, is just one of the things I’ve learned to appreciate more in the past few years. One of the main reasons I decided to pursue a Master’s degree in counseling psychology was that I wanted to be able to help more people. Outside of indigenous culture, the United States doesn’t really have a central shamanic role. There are, however, some professions that I consider to be analogous, to include counselor, and rather than trying to shoehorn post-industrial nonindigenous Americans into quasi-indigenous, pseudo-tribal artificially created pigeonholes, I see there being the greatest value in A) adopting those analogous roles, and B) if we feel the need for some archetypal shaman role, that we create it ourselves based on where we are, not where we wish we were. So for me, my training as a shaman hasn’t been at the hands of indigenous people, trying to convince them that this white girl is worthy of their amazing spiritual secrets, but instead in an education that is more tailored to what I’m used to. Not that it isolates me; on the contrary, my internship at a high-risk inpatient addictions treatment center has brought me into contact with an unprecedented variety of women from all sorts of racial, cultural, spiritual, familial and other personal backgrounds. I doubt I would have met any of them if I’d just hung up a “shaman” shingle and waited for people to show up.

Because let’s face it. Most Americans of all races wouldn’t go to a “shaman”, either because their religion forbids it, or they feel that sort of animistic practice is nutzoid. Native Americans are more likely to go to their own holy people and other such community figures. Most of the people who would come to me as a shaman are going to be similar to me–white, middle-class in origin, college-educated to some extent, and either neopagan or New Age of some flavor. However, people from numerous walks of life go to counselors, sometimes mandated by courts, but also often voluntarily. And I want to be accessible to all of these.

Even though I intend to go into private practice as a counselor once I graduate and get my degree, I am still going to keep my hand in on the community level, with some low-cost slots for the uninsured, as well as doing some research that I hope will benefit my internship site as well as the clients who use it. Yes, to an extent shamanism is about offering myself, but I can’t just go in saying “Here, take this!” As with any counseling or shamanism, it’s about finding out, collaboratively, what the client needs, and going from there. With counseling, I can offer a much wider set of possibilities to a broader range of clients.

And that’s one of the most valuable lessons I learned.

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Hope For the Future

So I am in serious crunch time with my Master’s degree program. Next week is finals, and I am due to finish my internship at the end of August. In addition to all this, I’m trying to take some opportunities with my artwork, along with working on a new book as well as finalizing the animism anthology I started at the beginning of this whole grad school thing. Between that busy-ness, and my spirituality being more drawn inward, I haven’t had a lot to say here.

However, all these things converged in an experience today that I thought was worth sharing. As preparation for evaluating my internship site (for those unaware I’m completing my MA in counseling psych), I’ve been sitting in on some of the therapy groups that I haven’t previously facilitated or co-facilitated, just to get a more well-rounded understanding of the program. Today’s group, comprised of women who have completed the inpatient portion of the program and are now in clean and sober housing, did some art therapy, creating boxes as transitional objects to help them stay focused on their recovery. While the original concept of a transitional object was concerning “blankies” and other things a young child uses to replace the bond with hir mother, it may also be applied more generally to other situations where an object stands in for as connection, particularly when in need of comfort. One of the common factors contributing lapse or relapse in many recovering addicts is a lack of impulse control. A transitional object can help the client “check” themselves and remind them there is an alternative to giving in to the craving, as well as reminding them of positive connections made during treatment and other recovery efforts.

It’s similar to what you see in magic and other spiritual practices–objects as reminders of a positive goal, concept, etc. The activity that today’s group engaged in–decorating boxes with decoupage/collage materials–could just as easily been a coven or other magical group spending an afternoon creating pocket shrines or other devotional objects, or items for spells and rituals. I tend to prefer magical work that utilizes such things, partly for the process of creativity, but also because I simply like having physical reminders of nonphysical things around me. The objects reinforce my perceived connection to what they represent. And, of course, the process of making the object adds intent and effort, making it more personal than simply buying a random box from the store (though a carefully planned shopping trip can also be a strong ritual in and of itself).

I was invited to create my own box along with the clients. While I spent some time observing facilitation, I did manage to put together some small and simple that spoke to current events:

Part of what I am going through right now is a lot of mixed feelings about my decision to be completely self-employed when I complete my internship. I’m intending to be an artist and writer part-time, since that business has been effective enough to essentially be a part-time job, and to open a part-time private counseling practice. This will help keep me from burning out on either endeavor entirely, and give me the sort of variety that I prefer. However, there’s a lot of fear surrounding this. I would be happier with more business capital saved up, though I’m better off than I thought I’d be. And even with that backing me, in this economy, and especially in the slump that Portland is in, there are no guarantees that even my greatest efforts will succeed. While I cannot speak for the experiences of my clients, I can see some resemblance between my fear of failure, and their own, though the particulars vary quite a bit. So this exercise in creating something to answer that fear was timely for all of us.

I started with an image of wilderness, Canyon Creek, taken from a travel magazine. This represented a safe environment, and one full of life and ongoing potential. I wanted to emphasize to myself that while things could always be better, I have lots of opportunities and I’m not starting from a place of desperation or emergency. I added a picture of a handmade wooden bowl from a wood crafting magazine. I love this sort of craftsmanship, and when I own a house some day I would love to fill it with this sort of uniquely crafted, practical creation. I found, in a home decorating publication, a photo of a weathered whitetail deer antler hanging on a cord; while much simpler than what I make, it stood in for the talents and skills I do bring to this situation, that I am not helpless and I have a lot to offer wherever I may go. Finally, I completed the box with a quote from Thomas Bailey Aldrich: “They fail, and they alone, who have not striven”. Just another way of saying nothing ventured, nothing gained, and a reminder to me that even in the worst-case scenario where everything falls to pieces and I am left with nothing, at least I tried going for a dream I’ve held for a very long time, and the success of which will be highly beneficial to me on numerous levels.

I’m going to be using this box to contain my fears. Any time I feel doubt or worry about the future, I’m going to write it on a small slip of paper, put it into the box, and let that hope for the future contain and surround the worries. While there may be genuine concerns at the heart of those doubts, I want to temper them with optimism. This is one way to remind myself of that.

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Still Not Dead

Though you might not know it from how seldom I post here. I’m still spending more time in the outdoors than anything else as far as my spirituality goes–that and still working with the skins and bones.

The thing is, for the past six months I’ve been going through that tear-down and rebuild process yet again, except it’s even more drastic and bare-bones than when I did it a little over three years ago when I started this blog. I had thought I had stripped my spiritual self naked back then. How little I suspected how much I had left to tear away.

I’m not entirely sure what things will look like for me in another six months, or another twelve. I don’t know how much my practice will resemble what I left off in the spring when this need to tear apart and rebuild came upon me so strongly that I had to act on it. My worldview has shifted so immensely, and yet I’m just nowhere near ready to talk about it yet. Not much, anyway. This is sort of my first attempt, maybe a pre-attempt.

So. I’ve still been hiking a lot, and going out to the coast, and taking my lover out into the Gorge. I’m still running a few times a week, which gets me out under the sky even when I’m too busy to do so otherwise. While ecopsychology isn’t as much of a part of my practice in my practicum as I thought it might be, it still has its own burner. I’m painting a bit more, too. Especially plants. For some reason, the flora of the Pacific Northwest have captured my imagination in my art, particularly my personal, private art. “I am a creature of conifers, ferns, and thick, green moss” indeed.

I’m almost afraid to write this, for fear it will become crystallized and stagnant by being placed into words. But the first thing that really seems to have coalesced into a statement of meaning is the phrase “In relation to”. On Halloween/Samhain, the day before my birthday, I went out to hike Drift Creek Falls. It’s my third year, but my first year going solo. Along with being an opportunity for a rite of passage leaving behind the last vestiges of what used to be married life, and back into a stronger singledom, it also ended up providing a valuable experience in getting to the core of meaning for me.

One of the problems I have–well, sometimes it’s a problem–is that it’s hard to get my mind to shut up. I’ve never been good with “sit down and be quiet” forms of meditation. I can do them, but I don’t like them, and I normally don’t get a lot out of them. However, I was getting frustrated on my hike because I so often found myself spacing out and missing the place I was in while my mind was floating off in a dozen different directions. “How often did I get to come to this place?” I thought. “I shouldn’t waste my time here thinking about things that concern me back in Portland!”

So I decided to just shut the thoughts off. It took a little effort, but it wasn’t more than a few moments before I was able to clear my mind. The result was both startling and telling. My physical spatial awareness snapped into sharp focus. I became very aware of where I was with respect to every tree, stone and animal I could perceive within my vision, and I had a sudden sense of space that put me firmly within my environment. Things that I normally screened out, such as the subtle movement of my visual field as I walked, became more apparent. I became present in a way I very rarely get to experience.

I realized that this feeling I was having through conscious effort of clearing my mind in this specific environment was the same feeling I got when struck with wonder by a particularly beautiful wild place. Only instead of having to be smacked over the head by the experience to actually pay attention, I was allowing it in. And I felt that sense of connection with everything else that is at the core of so much that I think and do. I don’t go throughout my day with a constant sense of that connection, but I remember enough of the times that I have experienced it that the memory is enough to motivate my actions and decisions. My choice to buy recycled paper products, for example, is directly a result of feeling connected to trees that could be cut down for pulp, even if I am not feeling that connection at the very moment I am purchasing toilet paper made from 100% recycled office paper content.

And that sense of connection has always been at the heart of meaning and wonder for me. I don’t believe I’ve ever felt it so purely, though, without the trappings of religion and paganism and shamanism and spirituality. All those things? All those are abstractions of that feeling. This is not a bad thing. There is nothing wrong with emanations and symbols.

But one thing I have had many conversations with my lover about is how often people mistake the map for the territory. Therioshamanism, my forays into chaos magic, my extensive explorations with animal totemism–all of these are maps. The maps are meant to help describe the territory of the experience with the world around me, particularly but certainly not exclusively those wild places that are such pure wellsprings of meaning for me.

And I think that’s perhaps where I…well, I won’t say I went wrong, because I don’t believe there are wrong things in spiritual exploration, only meandering and detours and “this is where you happen to be right now”. But I think three years ago I was also searching for the territory without having the map in the way, and I just didn’t quite get as much of the map out of my perception. And now I’m much closer to experiencing the territory for itself.

Hiking in the forest, with my awareness of that place and my place within that place–that is the purest spiritual experience I have had. More than Otherworld journeying that takes me out of an important layer of myself. More than rituals that are supposedly in “a world between worlds”. More than gods of the forest, spirits of the forest, I connected with the forest.

“In relation to.” That is the key phrase. I am just rediscovering where I am in relation to everything else. I am going without my expectations that there are fairies in the bottom of the garden, and without anything other than my own perceptions. Let me see what I perceive there, without what I’ve been told by years of pagan books and festivals and rituals and networkings what should be there.

Let me make my own map in relation to the territory, and let me not mistake the map for the territory.

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Administrata and Self-Forgiveness

First of all, I’ve realized that the FAQ and Bibliography for this blog are wayyyyyyy out of date. I know they’ve been linked to recently; please be aware that I need to overhaul them.

Also, I got a lot of comments on the racism post in particular; thank you so much to those of you who shared your thoughts. I’m mostly reading at this point, but I’ve really appreciated the insights people have provided. This is the sort of thing that makes putting this blog out there even more worth it.

So. On to the main meat of this post.

I recently read Coyote’s Council Fire by Loren Cruden. It’s a collection of interview questions with a variety of contemporary shamans and neoshamans, with each section opened by Cruden’s commentary on such issues as cultural appropriation and gender issues in shamanism and indigenous religions/cultures.

The first portion of the book is Cruden’s discussion on neoshamanism and issues of cultural appropriation. It’s by far one of the most balanced and thoughtful pieces of writing on the matter that I’ve read. While she acknowledges things like the romanticization of the Noble Savage, as well as the concept of privilege, she also makes a sympathetic argument for the need for non-indigenous people to develop shamanic practices that are appropriate for our own culture–not the cultures of our ancestors. A number of things she said resonated deeply; here’s a good example:

Caucasians [who practice non-indigenous shamanism] seem to be struggling in a betweenness. Those trying to transplant traditions from their European roots find their severance from the past frustrating. Those engendering new paths are mostly cobbling piecemeal structures out of eclecticism, and those seeking an integration of their cultural roots with their current life situations are contending with Native reaction and the difficulties inherent to such an evolution. It is an awkward phase needing both more sympathy and more useful questioning than it’s getting. (p. 23)

Yes. Nail. Head. You got it.

It’s no secret that I’m critical of the shortcomings I see in neoshamanisms in general, core and otherwise. Issues of racism and cultural appropriation, downplaying the potential dangers of journeying and other shamanic work, watering shamanism down into a milquetoast New Age pablum, core shamans claiming that core shamanism is “culturally neutral”–these things drive me up the wall, across the ceiling, and out the window. I don’t want people to stop practicing the way they practice, but I want to encourage mindfulness and discussion surrounding these and other issues.

However, I also admit that I can come down harder than I probably need to, not only on other practitioners, but also on myself. And a lot of that is insecurity. Nobody wants to be told they’re wrong. I know that no matter how carefully I tread, someone’s going to take offense to the idea that some white chick is practicing “shamanism”, and no amount of trying to explain what it is I’m trying to do will help. So I think sometimes I spend too much time worrying about whether some person on the internet will think what I’m doing is right, instead of being concerned with what I, anyone I do work for, and the spirits think is right.

I go back and forth on this. Sometimes I think it’s best to just leave other people to whatever’s going to happen, and if someone gets eaten by a grue while they’re out journeying, it’s not my problem. But then I also recognize that by not talking about something, I’m doing less to change it for the better (at least, my idea of “better”). So it’s not always easy to know what to say or do, when to say or do it, and at what point to quit.

But after reading that book, I do think I need to be more forgiving–most of all, of myself. This all stems from my own insecurity and projecting it outward. And that’s not good for anyone. So I think in addition to being honest about my potential shortcomings and flaws, I also need to be honest about my efforts and successes. And I need to be okay with where I’m coming from in all this, which is:

I’m a white American. I am not German, Czech, Austrian, Alsatian (woof!) or any of a number of other nationalities of my ancestors. I have never been in contact with any of these cultures or been to any of these lands, nor do I intend to change that. I have to start from the place where I am, the Pacific Northwest U.S. I intend to stay here. Which means that I need to work on creating and improving my relationships with the land and its denizens, physically and spiritually. This includes the human community as well as what people commonly think of as “nature”. Since I am not indigenous, I cannot assume that indigenous ways of relating to the land will work for me. So I’m on my own to a large degree.

I’m also convinced, by various experiences in my thirty-one years on this planet, that the world is alive in a way that most white Americans don’t see–I am an animist. And there are spirits who need me to do things for them, and also people in my community who need me to do things for them, and the manner in which these things are done often necessitates things like me going into the spirit realm (not physically, obviously) and certain ritualized practices designed to facilitate the necessary suspension of disbelief that will trigger appropriate psychological (and spiritual) states to get the job done.

But I am of a culture that does not have a set method of relating to the land other than as a commodity, and in which Christianity is the dominant method of engaging with spirituality, and other people are often competitors for resources. None of these suit me, and I will not shoehorn myself into something uncomfortable simply to be more culturally appropriate. So I find ways to recreate a “shamanic” role that fits this culture, but also answers my needs and the needs of those I work for.

Becoming a licensed counselor is one strategy, because it’s intermediary work and can integrate spirituality in some cases, but is acceptable in this culture for the most part. But that can’t be all of it. The need I have for mythos and ritual can’t only be limited to the carefully balanced parameters of ethics, competency and professional boundaries of counseling, even if I were to integrate a certain amount of core/neo-shamanism into it at some point down the line.

And that’s where a lot of the problem is. I work with animal and other nature spirits. I have been doing so for over a decade. But white American culture, however you want to define it, doesn’t have a set way of dealing with such animistic tendencies other than outmoded psychological diagnoses (“you’re all schizotypal!”) or a Christian (not THE Christian, mind you) opinion of “that’s evil”. There’s neopaganism, but that’s a huge umbrella, and there are plenty of controversies there, too. And, of course, there’s the plethora of animal totem dictionaries and related core/neo-shamanic material out there that shamelessly imitates indigenous practices without context or apology.

Those are my only choices? Unacceptable.

But I can’t just sit here and do nothing. Not when I know what needs to be done. Not when I have spirits (or, fine, figments of my psyche, if you want to see them that way) poking at me for attention as they have for over a decade. Not when I and others who are similarly rootless have a strong need for connection and ritual and mythos and meaning. Not when I am in a good place to facilitate these things for all of us, which can help heal the wounds and insanities of our culture which helped bring about a lot of the problems we (not just white Americans) are facing in the first place.

So I’m doing my best to find a particularly meaningful way to engage with the natural world (physically and spiritually), coming out of a culture that doesn’t possess existing ways to do so that satisfy me. It’s guaranteed that I’ll screw up sometimes, and that at some point I will always be doing something that will offend someone somewhere. So I do my best to educate myself about potential pitfalls, and act according to my conscience.

And that’s the best I can offer, which I think is pretty darn good, all told.

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Wolf Skin Ritual

Aha! I think I figured out how to keep you folks with RSS feeds from getting slammed with all the pictures! Let me know if it works.

Anyway, today I did the ritual I had planned to retire my old wolf skin and dedicate the new one. Only a few folks showed up, but it was a good group, and it was a really successful ritual overall. I’ve got a full writeup and some pictures to share here–enjoy!

I’ve been dancing with this old guy since 2002:

He was my very first wolf skin, purchased in the late 1990s, and he told me before I went to my first pagan gathering that he wanted to dance with me. So I split him open, rigged him up with some leather straps to tie him to me, and we went out and danced at the fire circle, with great success! Since then, we’ve danced together around numerous circles. Sadly, I didn’t know much about taking care of hides til much later, and between rainy, damp nights in tents, and heat from the fires, he decomposed over time even though his was a pretty good quality tan.

So I recently made the final payment on my new wolf skin, and wanting to have him dedicated before going to a Beltane festival next weekend, today was prime time for making the ritual happen. Here’s a picture of him right after he arrived in the mail:

At some point I want to post a tutorial on how I got him from that to his present state, but now’s not the time.

So I got things set up for the ritual. Here are a couple of pictures of the altar:

There are some items from the permanent Grey Wolf altar in my art/ritual room, along with my Black Bear rattle which I use to call and send home spirits, a fern frond and a turtle shell of water that I use to purify the ritual area prior to ritual, my ritual knife, and a platter with pouches for part of the ritual later on. You can also see the two hides curled up together, and a collection of spare musical instruments, as well as my own drum.

I started the ritual with purification by sprinkling water with the fern, since I dislike smoke and therefore smudging. (Sprinkling water on people is especially fun depending on their reactions. I’m definitely keeping this!) I then called the various spirits and places of the directions to join us, along with a couple of other beings I wanted to invite, Grey Wolf included.

Then I picked up my old wolf skin and carried him around the altar, talking about our history together, how he taught me to wolf dance, and some of the things we had been through. I talked about how it was going to be our last dance together, and that this was a very special event. Then I put him on for the last time, and while the other participants drummed and rattled, we danced around the altar. I could feel how tired and worn-out he is, but he made a good go of it, and we ended it with three good, long howls.

Then I took him off, and I was crying as I did so. I thanked him one more time for the good years dancing together. I laid him out on the floor, and stretched out the new skin as well. I took the leather straps from the old skin and transferred them to the new skin, whom I had previously prepared.

And then I danced the new skin. And I could most definitely feel the difference! This guy was ready and raring to go! We didn’t so much dance as run, leap, pounce, and gambol. (Yes, I said gambol.) It was tough at times to get him to stay focused on the dancing, which was fine–I’m just glad he was so happy to be moving around again. There’ll be time enough to work out etiquette between us. It was good, though, and I’m looking forward to the fire dancing next weekend.

We then took a break to chow down on the potluck goodies people had brought, and enjoy some social time. After that, I had people bring the small leather pouches I had given them, and I cut off small bits of fur from both wolves and put them in the pouches. Mind you, I never give away fur from my personal wolf skins, so this was a really unusual thing–those who got them received very special gifts. And then I closed down the ritual, said farewell to the assembled (both corporeal and otherwise) and went to ground.

I put the old wolf skin on the permanent altar; here’s a pic:

You can see the Brown Bear altar beneath it, and also some assorted ritual and art effects on the floor at the base. No surprise, I’m already running out of room on the Wolf altar.

And while I didn’t have pics taken during the ritual, here are a few pictures of me in the new wolf skin. (No, that’s not my ritual wear–it’s the outfit I wore during the pics I took for the potential tutorial I may do.)

It takes a very large wolf skin to be able to fit over my 5’4″ frame like that. It’ll take some time for us to adjust to each other; I need to fit the straps properly, and add a couple of others. Also, my arms do fit through the holes that his forelegs went through on the front leg skins, but it’s a tight fit. It’ll loosen over time, though. Still, he fits nicely like my old skin did, and we were very comfortable dancing together.

Also, small bit of timing–my period started in earnest while I was dancing the new skin. Given that the moon is waxing, and Artemis has recently come into my life again, and I am a Luperca in the Ekklesia Antinoou it’s an interesting series of convergences to note.

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Bear Ritual

Today I led my first “official” group ritual as a practicing (neo)shaman. Brown Bear has been nudging me to try out some of the ritual techniques and practices I’ve been developing over the past few months to see how they’d work out, and s/he said s/he had wanted a ritual hirself, so this was a good opportunity. I put everything together pretty quickly since it’s getting into hibernation time, but it all worked out.

We ended up clearing out the living room, moving the dining table into the kitchen temporarily, and pushing the couches against the walls. Then the little table in front of the TV ended up doing double duty as an altar and place to keep my ritual implements when I wasn’t using them. Here are a few pictures (apologies to those on the LJ feed who don’t have the benefit of an LJ-cut for this):



The hide covering the altar is an old skin, possibly bear but not entirely sure, that was left on my porch at our old place–we think we know who it was. It’s incredibly old, just about falling apart, probably from somewhere in the early 20th century. The other hide, the bearskin in the foreground on the second picture, is my ceremonial skin–she was an oooooold rug I got at an antique shop over a decade ago. I removed all the rug stuff, and while she’s very delicate, some mink oil helped to rehydrate her. Still, she’s many decades old, and I have to be very careful with her.

There’s also a rattle made from a black bear skull and a deer leg bone that I use to call in the spirits, and a deerskin bag that holds some of my other Brown Bear items. The plate in the center has small Bear packets that would be given out during the ceremony. Leaning against the altar are my big drum, a small drum that was my starter drum but is now a spare, and the elk antler bells I made a while back. And the white fur is the wolf headdress and tail that I wear while journeying, as I journey as a white wolf. There’s also a very small bear statue on there, along with a packet of small bear fetishes leftover from making the gift packets for participants.

There ended up being seven of us total–me, Taylor, the three practitioners that I took on as students a while back, and who are now going off in their own unique directions with the material, and two other folks from the local pagan community who wanted to attend.

I began with rattling in the spirits that I wished to have in attendance, calling them each by the name they wished to be known by. I didn’t call in everyone, because not all the spirits would have been a good fit for this ritual. Black Bear also helped to let me know who to welcome. I then warmed up my drum, rubbing it with my hand and then with the beater. After that I called the horse spirit of the drum with a specific beat that I use.

Once that spirit came out of the drum, I began the journey drumming, and I asked the rest of the participants to drum with me to help me get to where I was going. I had journeyed to see Bear the day before to take hir a preliminary offering and to check in with hir about last details for today, but I didn’t want to make the assumption that s/he would automatically come to the celebration we had set up for hir. So I went with my bearskin spirit, and once we got to Bear’s den, I asked everyone to stop drumming since they had gotten me to where I needed to be, and to simply listen as I told what I experienced as it happened.

The bearskin spirit and I went down cautiously into Bear’s den, even though we had been there before. Bear was there, and grumbly because s/he was sleepy. I very carefully asked hir whether s/he would like to come with us to the celebration and to see the gifts for hir, and also to place hir energy/scent on the bear packets I had made. S/he grumbled some more, and then told me that if s/he was going to show up, I would have to dance for hir, wearing the necklace I had made for hir before. The bearskin spirit and I then retreated. I had been keeping the drumbeat slow and quiet throughout all this, trying to keep myself calm, but turning my back on Bear was frightening, and I fought to keep the beat slow and quiet as we went back up to the surface.

The horse of my drum carried me back as the participants all drummed and rattled again to help bring me back home. Then they drummed more as I carefully draped the bearskin over me, put the necklace on, and danced like a bear. It was odd, because I’m used to wolf dancing up on my toes (and I also walk on my toes as a matter of course), but bear dancing required me to stay on my heels. Plus the movement is much different, a larger animal, with a different heft of momentum.

And Bear did arrive, using the dance as a vehicle. I growled and whuffed and sniffed at the altar and the goodies on it–and the food people had brought, too. Once the dance was done, I talked a bit about my relationship to Bear, and also gave folks some time to interact with Bear on their own. Then we got to the food! I still held Bear inside me to an extent, and let hir taste the food through me. There were many good things–foccacia bread, and containers of fresh berries and grapes (which Bear loved). And I made cookies, too, with applesauce I made from scratch earlier this year and gave to Bear as yesterday’s offering. (Eating offerings in celebration is apparently a perfectly acceptable way to deal with the physical portions.)

Then once that was done, I thanked all the spirits for being there, most of all Bear, and we drummed for them a while, and I danced as I drummed. Then I rattled them back home, and saw the attendees out.

I got the permanent Brown Bear altar set up in my ritual/art room:


There’s the Bear bag, and also the assorted stone bear fetishes. There’s also a bear claw carved from horn that was offered by one person, and some sage and herbs offered by another, all of which will stay on the altar. And there are some spare packets from the ritual that will probably end up being gifted to people who could use a boost of Bear energy, as it were. No doubt I’ll add more stuff as time goes by, but that’s a good start. Incidentally, the table above it will be a Wolf altar, once the time comes for that. (The other hide is normally on my main altar, where I returned it after the ritual was done.)

Overall, I think it went really well. I was nervous as hell, but managed to keep myself focused on the ritual itself. The feedback confirmed that others enjoyed it, too. One of the things that concerned me is that in neopaganism group rituals usually involve a lot of participation on everyone’s part. The whole spectator thing is often considered to be “boring”, or so I had feared. But as a performance ritual, this seemed to work out really well.

The other thing I noticed was how quickly I got to my starting point with the help of everyone else drumming/rattling! It was like having a huge push behind me as the horse carried me there. Between that, and Bear’s den being very close to my starting point, plus it being a pretty straightforward, mostly pre-arranged task, the ritual itself didn’t last too long, under a half an hour [ETA: the portion prior to the food, I mean]. But it was strong, and I know I’m on the right track with this. There’s some fine-tuning that needs to be done, and things will get better with experience, but for a first time out, I’m really pleased, and everyone else (including Bear) seemed to agree.

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On the Recent Sweat Lodge Deaths

This has been bothering me all day, but I couldn’t really figure out how to articulate it until I was sitting working on some artwork tonight.

In case you haven’t heard, two people are dead and others ill after a sweat lodge held by James A. Ray, a proponent of The Secret, went awry. This is far from the first death caused by improperly constructed lodges; heart problems seem to be a common factor, as is wrapping the lodge in a layer of plastic (which is a bad idea all around, no pun intended). I first read about it at the Wild Hunt, and others have weighed in on angles such as pseudo-psychology and (not) cultural appropriation.

I think the issue that stands out to me the most is that of competency. In counseling, competency means having at least an adequate, if not superior, set of knowledge and skills about a given topic to be able to effectively help a client with a minimum of risk to their psychological health. One thing I’m learning in my classes on practical skills is that no matter who you are, you will always screw up. Therapists are human, and as much as one would like to be the most awesome, helpful, effective therapist ever, there will always be those clients who just don’t work out–and the ones that you really regret because you know you could have acted differently in hindsight.

Competency is an ethical issue designed to make sure that the chances of causing harm are minimized. For example, I’m on the adult track in my program. My classes are tailored toward working with adults, and my internship will be the same. Before I could ostensibly work with children, I would have to take steps to increase my competency through education and reading, at the very least. The same thing goes if I end up having a client referred to me who is of a special population whose unique situation I don’t have experience or knowledge of.

Running a proper sweat requires competency on a couple of levels. I’m not going to get into the debate as to whether indigenous spiritual ceremonies associated with sweats are inherently spiritually better than New Age or otherwise not indigenous ones, and whether these people died because the spirits were displeased. On a physical level, though, there is a definite need for competency–how to safely construct the lodge, how to prepare the correct sort of stone, how to monitor participants for health concerns, and so forth. Psychologically, too, there needs to be competency with any sort of rite of passage or other ritual that has the potential to shake a person out of their usual headspace. I have heard entirely too many horror stories in the neopagan community of ritual leaders who led people through a particularly moving ritual–and then didn’t stick around to pick up the pieces when a participant ended up with some trauma being dredged up by the experience.

What seems to have happened here is a lack of competency on a physical, and potentially psychological, level. Did Ray know about the risks of running a sweat with that many people and that sort of construction, and how to know when something was going wrong? Did he make it clear to people that, no matter how moving an experience they were having, if they felt ill they needed to get out, and they wouldn’t have failed for admitting their limits? Did he receive any sort of training that might have included how to address these and other concerns?

And I think this is something that neoshamans/shamanists/shamanic practitioners in general should be thinking about. Most of us don’t have access to indigenous cultures and their spiritual teachings (nor should we presume we have a right to such things). There’s no shamanism inherent to the culture I am a part of. But there are attempts to try to construct such a thing. The problem is that we’re starting from scratch, whether that means working with core shamanism, gleaning what we can from indigenous contacts, or trying to piece things together on our own.

How can we really gauge competency when there are so many people going in so many directions? There’s not a single non-indigenous shamanic path that doesn’t come under some scrutiny, whether from indigenous practitioners, or from neoshamans themselves. We aren’t going to get everyone to agree to some universal way of doing things. this survey from the Society of Shamanic Practitioners shows a bias toward a very specific, core-based manner of practice that I couldn’t finish because a lot of the questions simply didn’t apply to how I currently do things; same thing goes for others I know.

Some would argue that we have to do more in conjunction with indigenous cultures who have well-established shamanic systems (using the term shamanic loosely). While this certainly would give a person firm grounding in that culture’s shamanism, it A) supposes that a culture would be willing to share such a thing, and B) doesn’t take into account that many, if not most, of the practices and cosmologies found in indigenous shamanism aren’t going to do as well outside of their original cultural context. Nor will many Americans view things like journeying and ceremonies as anything other than “crazy stuff” or “devil worship”–which pretty much eliminates them as potential recipients of shamanic work. (On a side note, I’ve had people tell me I should just look to the religions of my ancestors. Beyond the fact that it’s Catholics way back, I fail to see how 1,000+ year old cultures from a continent away are going to be any more helpful in working with this culture than indigenous ones would be. I am not a circa 700 A.D. Slavic peasant.)

We could also try to come up with some standards and best practices for neoshamans, but who gets to decide what’s what? If we’re going by sheer numbers, core shamans are the most numerous, but most non-core neoshamans have some misgivings with core shamanism. And we’re talking about a bunch of people who are scattered across the country, not all of whom spend as much time on the internet as I do, and are not always particularly accessible or willing to network. It’s a much different context from a more localized, relatively homogenized culture. (I do think that talking more about this stuff, though, is highly recommended, even if nothing truly universal comes out of it. Peer review is a good thing.)

My own personal preference in gaining competency is to interweave aspects of my culture that are most analogous to what I understand shamanism to be, hence my working on a Master’s in counseling psych, since psychology figures heavily in my practice and general worldview. However, I also have the privilege of being able to get loans and go to school in the first place, as well as having enough of an interest and ability with psychology to make it worth my time. And people may disagree with various assessments of what a shaman would be in this culture.

Then, of course, there are those who would be thrilled if all us not-indigenous folks put aside these games of “shamanism” since we don’t have the level of competency indigenous cultures have. Both from a spiritual and psychological perspective, I can see great value in creating structures of meaning, rites of passage, and other things missing from large portions of this culture, and if the means and trappings in which some practitioners try to create these structures is misguided and appropriative, at least the general effort is of value and should be fine-tuned rather than scrapped entirely.

There are times, honestly, when all I want to do is throw my hands up and decide that we’re all arguing over completely subjective psychological meaning-making systems, and that it doesn’t really matter what you believe, but how you use it and for what purposes. Maybe we’d quit arguing over who believes the right things, and get rid of the red herrings of subjective authenticity, and instead get down to the business of dealing with what’s more objective. Whether I believe animal totems talk with me when I drum is a subjective issue, and again something that I sometimes think is wholly a structure of personal mythology. If I claim that what I’m doing is according to some indigenous culture I’ve never had any contact with, then it veers over into objective territory in that I’m making a verifiably false claim about the beliefs that could potentially affect the people whose legitimacy I’m trying to leech. And if I further use this to justify telling people to, say, drink bleach because Bear said that it’s good for what ails you, then we’re really into the objective, insofar as the actions I am taking extrapolated from my beliefs.

And that’s where I really think competency comes in. You can’t measure the legitimacy of whether the totems talk to me or not; there’s no such thing as spiritual competency in that regard, unless someone has some form of omniscience that I’m not privy to. (Gods know there are lots of neopagans and others who try their damnedest to measure the spiritual competency of others, especially others they dislike.) But you can measure one’s competency in psychological and physical terms. If I integrate shamanism into my counseling practice, no one can say whether, say, a soul retrieval was spiritually successful–but we can look at the client’s progress after that ritual and see whether it helped improve their psychological health. And if I decided to incorporate wilderness therapy in my practice and take clients hiking, my competency could be measured in terms of things like whether I have up-to-date Wilderness First Responder training.

As far as how much competency Ray had? There’s not yet enough information available, unless I’ve missed something. I looked on the bio on his website, and couldn’t really find anything to suggest he has any psychological training, or what sort of spiritual training he may have had (including that which may have shown him how to safely run a sweat). Hopefully more will come out in the wash. In the meantime, I think we need to focus less on things like cultural appropriation and the exact tools (physical and psychological) used in this case, and instead look at the people involved and how they were using these tools. Being a non-indigenous person running a sweat lodge does not automatically make you a potential killer. Being someone who doesn’t possess physical and psychological competency involved with the rite, regardless of the exact cultural trappings, is an entirely different story.